Memor Vita!: E-flat Alto Saxophone
By Brant Karrick
Grade: 4 (Medium Difficult)
Item: 00-PC-0014599_AX1
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Memor Vita!: E-flat Alto Saxophone comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Composer: Brant Karrick

Brant Karrick has shaped band programs across multiple institutions and educational levels. He joined Northern Kentucky University in 2003 as Director of Bands, where he oversees the full band curriculum including conducting, instrumental methods, and music theory, while maintaining an active schedule as guest conductor, clinician, and adjudicator. His teaching career spans nine years at the University of Toledo and seven years in Kentucky public schools, grounding his compositions in practical classroom and ensemble experience.
Karrick earned his Ph.D. in music education from Louisiana State University (1994), his Master's degree from Western Kentucky University (1984), and his Bachelor of Music Education from the University of Louisville (1982). His compositions have circulated internationally across the United States, Canada, Europe, South Africa, South America, Japan, and Australia. He holds membership in NAFME, CBDNA, ASCAP, and the Kentucky Music Educators Association.
Why we love this
Karrick writes for the ensemble that exists in real rehearsal rooms: he understands what Grade 4 bands can actually achieve and where they're still building technical foundation. The 278-page score gives you substantial material to work with across a full concert season while remaining accessible to developing musicians. His background in teacher preparation and adjudication means he hears what works on stage and what teaches ensemble skills simultaneously.
What to expect
Memor Vita! carries the weight of its Latin title—a work concerned with memory and life's meaning. The music builds momentum and textural complexity as it progresses, moving from accessible openings into passages that demand real attention to ensemble coordination and dynamic control. There's weight here without bombast, substance without pretension.
Who it's for
This score and parts package serves Grade 4 concert bands ready to tackle a full-length concert work with substantive musical and technical demands. Directors preparing groups for festival performance or concert programming will find a piece that challenges intonation, balance, and ensemble discipline without exceeding typical Grade 4 capability. The digital download format makes it accessible for immediate preparation and distribution to your ensemble.
How to get the most out of it
- Attend to balance between the inner voices and outer parts; Karrick's textures often favor harmonic clarity over doubling, so isolate saxophone and low brass sections separately during rehearsal before bringing the full band together.
- Mark all dynamic changes in both score and parts before the first read-through so players see the overall shape of phrases and understand how their part contributes to the arc.
- Use the conductor score's cue notes to identify potential weak spots in articulation and rhythmic ensemble; these moments often need extra attention in sections that lack strong melodic anchors.
- Build in rehearsal time for sustained, balancing passages; Grade 4 bands often rush when voicing changes or when harmonic motion accelerates, so deliberate practice on these transitions pays dividends in performance.
How to use it
Program this as a centerpiece for a mid-season or closing concert, where its 278 pages give you room to build a cohesive program around a substantial contemporary work. It pairs well with lighter fare in the first half of a concert, allowing audiences to settle into a longer engagement with more complex musical ideas. For festivals, the piece fits squarely in competitive Grade 4 categories and shows off a band's growth in intonation and balance.
Skills your students will build
- Sustained ensemble balance across changing textures and voice distributions
- Dynamic control and shaping through longer phrases
- Accuracy in rhythmic ensemble when harmonic motion accelerates
- Intonation stability in inner voices and non-unison passages
- Reading and responding to conductor cues in a full-length concert work