Meet Me In St. Louis (from "Meet Me In St. Louis") Sheet Music Preview

Meet Me In St. Louis (from "Meet Me In St. Louis"): Piano/Vocal/Chords

Item: 00-PS-0013201

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Description
Each songbook in the Big Book series provides musicians of all ability levels with a big list---usually 40 or more titles per book---of the very best songs from a favorite musical genre.

Rarely are there more catchy tunes than those performed in Broadway musicals. Alfred's Big Book series introduces hit songs from a variety of musicals. Songs include And All That Jazz (Chicago) * Fame (Fame) * Give My Regards to Broadway (Yankee Doodle Dandy) * Grease (Grease) * I Got Rhythm (An American in Paris) * New York, New York (On the Town) * Singin' in the Rain (Singin' in the Rain) * A Spoonful of Sugar (Mary Poppins) * Stayin' Alive (Saturday Night Fever) * That's Entertainment (The Band Wagon) * We're Off to See the Wizard (The Wizard of Oz) * and many more.

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Additional Details
Series: The Big Book Series
Publisher: Alfred Music
Page Count: 256
SKU: 00-PS-0013201

More about this title

About the Composer: Kerry Mills

Kerry Mills (1869-1948) was an American composer and publisher whose gift for melody made him one of the most prolific songwriters of the early 20th century. His songs were standards of the vaudeville stage and early film era, and many remain instantly recognizable today.

Why we love this

This folio gives you 40+ Broadway standards in one download, meaning you can build a complete season's worth of recital and performance material without hunting across multiple collections. The songs span decades and styles, so whether your student needs a jazz standard, a classic ballad, or an upbeat novelty number, it's all here in piano/vocal/chords format that works equally well for solo recital, audition prep, or ensemble arrangements.

What to expect

These are songs written to captivate a theater audience, so they carry a built-in charm and momentum. Each one has a clear melodic hook and emotional arc, whether it's playful, romantic, or wistful.

Who it's for

Pianists preparing audition and recital material will find an enormous range of accessible, performance-ready standards. Vocalists accompanying themselves or rehearsing with a pianist can use the chord symbols to communicate quickly about harmony and style.

How to get the most out of it

  • Study the chord symbols carefully before playing through; many of these Broadway standards use jazz harmony and substitutions that can catch you off guard if you're reading strictly from the melody line.
  • Listen to multiple recorded versions of your chosen song to understand the style and phrasing before locking into your own interpretation.
  • Balance the vocal line with the piano so the words remain clear; these are character songs designed to tell a story, not showcase pure vocal power.
  • Pay attention to the marked tempos and style indications; a song marked 'swing' or 'with a lilt' requires different rhythmic feel from straight quarter-note playing.

How to use it

Pull individual numbers to build a cohesive recital around a theme (standards from a single decade, songs about places or love, comedic versus romantic selections). The breadth of the collection makes it ideal for students building a year-long audition portfolio or preparing for musical theater contexts.

Skills your students will build

  • Reading piano/vocal/chord charts with jazz harmony and substitutions
  • Accompanying a vocalist while maintaining independent melodic and rhythmic clarity
  • Interpreting style markings and historical performance practice across multiple musical theater eras
  • Balancing ensemble with soloist in a two-line texture
  • Sight-reading across varied key signatures and time signatures at a brisk pace

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