Medleys for Blended Worship: Christmas Cover Image

Medleys for Blended Worship: Christmas: Piano Book

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Medleys for Blended Worship: Christmas Cover Image

Medleys for Blended Worship: Christmas: Piano Book

10 Contemporary Arrangements of Praise Songs with Carols

Arranged by Carol Tornquist

Level: Early Advanced

Item: 00-33450

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Description
Traditional carols are often performed alongside contemporary Christmas songs in many of today's church services, giving rise to the term blended worship. This distinctive collection provides a valuable resource for pianists who want to play familiar holiday tunes in a tasteful and new style in addition to current Christmas songs of praise recognizable to most congregations. To assist in planning, performance times and optional segues are included. Titles: Angels, from the Realms of Glory with Immanuel (From the Squalor of a Borrowed Stable) * Angels We Have Heard on High with Glory in the Highest * Break Forth, O Beauteous Heavenly Light with Light of the World (O Jesus Son of God) * In the Bleak Midwinter with Winter Snow * Jesus, Jesus, Rest Your Head with Breath of Heaven (Mary's Song) * Joy to the World with Joy to the World (Unspeakable Joy) * O Come, O Come, Emmanuel with Born That We May Have Life * O Holy Night! with Jesus, Messiah * O Little Town of Bethlehem with Joy Has Dawned * Still, Still, Still with Mary, Did You Know?

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-7318-4
ISBN13: 978-0-7390-7318-6
UPC: 038081402239
SKU: 00-33450

More about this title

About the Arranger: Carol Tornquist

Carol Tornquist

Carol Tornquist began playing piano by ear at age four in northwestern Pennsylvania and went on to study at the Warren Conservatory of Music. She earned her B.S. in Music Education from the State University of New York at Fredonia, then taught vocal music in upstate New York while serving as an instructor for the international Yamaha Music School.

A visit to her songwriter brother John W. Thompson in Nashville led to her first position writing piano transcriptions, launching a prolific arranging career that has produced over four hundred solo piano collections. Since becoming an Alfred author in 2010, Tornquist has built a reputation for crafting arrangements that church pianists and students find musical, accessible, and suited to traditional, blended, and contemporary worship contexts. Her approach centers on creating user-friendly resources that give pianists of varying levels the tools to make familiar melodies sound fresh.

Why we love this

These medleys solve the real scheduling and programming challenge that blended worship presents: how to honor both traditional hymns and contemporary praise songs within a single service without jarring transitions. Tornquist's arrangements integrate the two styles seamlessly, with harmonic and rhythmic language that respects each song's identity while creating a cohesive sound. The included performance times and optional segues make planning effortless, and the quality of the writing elevates what could be routine play-by-ear performance into polished, congregationally resonant music.

What to expect

Each medley opens with the warm, familiar contours of a beloved hymn, then gracefully transitions into the harmonic language and rhythmic vitality of contemporary Christian music. The result feels conversational rather than contrived, honoring the past while embracing the present. Playing through these arrangements creates a sense of musical continuity that mirrors the spiritual intention of blended worship itself.

Who it's for

Church pianists who accompany blended worship services and need tactful, singable arrangements that bridge traditional and contemporary repertoires. This collection also serves accomplished piano students and teachers seeking quality sacred solo literature that demonstrates thoughtful compositional craft.

How to get the most out of it

  • Study each medley as two distinct pieces first, then practice the transition point until the segue feels organic and unhurried. Tornquist's harmonic language makes these shifts natural, but they still require intention.
  • Honor the character of each song within the medley. The traditional carol often sets the opening mood, so let its tempo and touch establish the foundation before the contemporary song enters.
  • Use the optional segues strategically. In some services, you may want the immediate key change and modulation; in others, a brief pause or a sustained pedal point gives the congregation time to shift emotionally between songs.
  • Reference the performance times listed for each medley when planning your service flow, accounting for your own tempo preferences and any congregational singing that may accompany the piano arrangement.

How to use it

Integrate individual medleys into worship services where both hymn singing and contemporary praise are central to the liturgy. Use them as prelude or offertory music, selecting medleys that echo the day's themes or scripture readings. You might also program several medleys together as a piano recital set that showcases how traditional and modern sacred music can coexist meaningfully.

Skills your students will build

  • Arranging and adaptation techniques: understanding how traditional and contemporary harmonic languages can merge
  • Rubato and expressive phrasing within structured medley form
  • Smooth key modulation and transition writing
  • Balancing two distinct musical styles within a single performance
  • Reading and interpreting optional segue markings for flexible performance
  • Pedal control for blended textures and harmonic color

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