Medleys for Blended Worship, Book 3 Cover Image

Medleys for Blended Worship, Book 3: Piano Book

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Medleys for Blended Worship, Book 3 Cover Image

Medleys for Blended Worship, Book 3: Piano Book

10 Contemporary Arrangements of Praise Songs with Hymns

Arranged by Carol Tornquist

Level: Early Advanced

Item: 00-33449

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Description
Traditional hymns are often performed alongside contemporary praise and worship songs in many of today's church services, giving rise to the term "blended worship." This distinctive collection provides a valuable resource for pianists who want to play familiar hymn tunes in a tasteful and new style in addition to current praise songs recognizable to most congregations. To assist in planning, performance times and optional segues are included. Titles: Here I Am to Worship, with O Worship the King * How Great Thou Art, with God of Wonders * I Lift My Eyes Up, with How Firm a Foundation * Jesus Paid It All, with The Wonderful Cross * Joyful, Joyful, We Adore Thee, with We Will Glorify * Lord, I Lift Your Name on High, with Doxology * Majesty (Here I Am), with Immortal, Invisible, God Only Wise * Open Our Eyes, Lord, with Open My Eyes That I May See * There Is a Redeemer, with Come, Thou Almighty King * To God Be the Glory, with Great Is the Lord Almighty.

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Additional Details
Series: Sacred Performer Collections
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7390-6996-9
ISBN13: 978-0-7390-6996-7
UPC: 038081393339
SKU: 00-33449

More about this title

About the Arranger: Carol Tornquist

Carol Tornquist

Carol Tornquist began playing piano by ear at age four in northwestern Pennsylvania and continued formal study at the Warren Conservatory of Music. She earned her B.S. in Music Education from the State University of New York at Fredonia and went on to teach vocal music in upstate New York while instructing for the international Yamaha Music School.

A visit to her songwriter brother John W. Thompson in Nashville led to work transcribing piano arrangements, launching her into a prolific career as an arranger of over four hundred solo piano collections. Since becoming an Alfred author in 2010, Tornquist has developed a reputation for creating arrangements that church pianists and students find polished, performable, and suited to traditional, blended, and contemporary worship contexts. Her harmonic and rhythmic choices consistently reimagine familiar melodies in fresh ways while maintaining an unwavering focus on clarity and accessibility for pianists at all levels.

Why we love this

Blended worship services demand arrangements that honor both hymnic dignity and contemporary energy, and Tornquist's pairings do exactly that without compromising either aesthetic. The inclusion of performance times and optional segues shows genuine understanding of what church musicians actually need for practical planning and smooth transitions. Each medley feels crafted rather than concatenated, giving your accompaniment genuine musical coherence.

What to expect

These arrangements sit at the intersection of reverence and vitality. You'll find yourself moving between the spacious, hymnic textures of beloved traditional tunes and the rhythmically propulsive, harmonically contemporary praise songs, each informing the other rather than competing. The result feels neither old nor new but genuinely connected.

Who it's for

This collection serves church pianists who regularly navigate blended worship settings and want polished, well-arranged medleys that require early advanced technique but remain musically grounded. It's also valuable for piano students preparing recital material with a worship focus, as each arrangement develops interpretive and stylistic range.

How to get the most out of it

  • Study the optional segues before the service; they allow you to connect medleys organically or separate them if the liturgy requires breathing room.
  • Balance the harmonic language between sections—Tornquist's contemporary voicings will sit best if you don't overpower them in the traditional hymn portion.
  • Reference the provided performance times during rehearsal to find your natural tempo and pacing, especially important when moving between hymn and contemporary idioms.
  • Lean into the rhythmic character of each pairing; the contemporary sections often have rhythmic independence that should feel distinct from the traditional material.

How to use it

Incorporate individual medleys into blended worship services where the pairing creates thematic or theological resonance between the traditional and contemporary selections. These arrangements also work well as offertory music or as bridge pieces between service movements that shift in tone or energy, allowing the piano to guide the congregation through the transition.

Skills your students will build

  • Interpreting harmonic language across traditional and contemporary idioms
  • Managing rhythmic independence between hymnic and pop-influenced sections
  • Reading and executing optional performance segues
  • Voicing and pedal control in early advanced textures
  • Balancing stylistic clarity when alternating between musical genres

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