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Medidation: Violin Solo Book

$15.95 USD
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Medidation Cover Image

Medidation: Violin Solo Book

for Violin Solo

Otto Luening

Item: 98-EP66413

$15.95
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Additional Details
Publisher: Edition Peters
Page Count: 8
ISBN10: 0-30-072208-7
ISBN13: 979-0-3007-2208-5
SKU: 98-EP66413

More about this title

About the Composer: Otto Luening

Otto Luening (1900-1996) was an American composer, conductor, and pioneer of electronic music whose career spanned nearly a century. He studied composition with Ferruccio Busoni and brought a modernist sensibility to both acoustic and experimental works, later becoming a founding figure in the Columbia-Princeton Electronic Music Center. His output for solo instruments balances 20th-century compositional sophistication with an ear for idiomatic writing that remains accessible to serious students.

Why we love this

Luening's Meditation offers violinists a compact, genuinely rewarding solo that avoids the conventional showpiece formula. At eight pages, it's substantial enough for a meaningful recital piece without becoming a technical gauntlet, making it ideal for advanced high school students or conservatory undergraduates seeking contemporary repertoire with real musical substance.

What to expect

Meditative and introspective, with a soundworld that feels spacious and modern without sacrificing lyricism. The piece invites the soloist into a conversation with silence, moving through harmonic terrain that is thoughtful and occasionally austere, creating a reflective mood that rewards patient, committed playing.

Who it's for

This solo suits advanced violinists (high school concertmasters and conservatory students) who are ready to engage with 20th-century idioms and want to develop interpretive maturity beyond Romantic-era standards. It works equally well as a recital piece or as an audition selection for students pursuing classical training at the university level.

How to get the most out of it

  • Attend carefully to the harmonic language; Luening's 20th-century vocabulary demands clarity in intonation and a willingness to let dissonances breathe rather than smooth them away.
  • Shape long phrases by thinking in terms of harmonic arrival rather than virtuosic gesture; the reflective quality of this meditation relies on architectural logic.
  • Consider the piece's title as a guide to tempo and expression: avoid rushing, and allow silence and space to be as important as the notes themselves.

How to use it

Pair this with a 19th-century Romantic concerto or showpiece to create a program that spans musical traditions, or program it alongside other contemporary solo works to introduce audiences to modernist approaches to the violin. It also serves as an excellent capstone recital piece for spring concerts, where its meditative quality offers welcome contrast to more athletic repertoire.

Skills your students will build

  • Intonation in expanded harmonic contexts
  • Long-phrase shaping without melodic momentum
  • Comfort with 20th-century compositional language and dissonance
  • Interpretive choices in sparsely notated musical landscapes

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