Meat Loaf---The Hits Cover Image

Meat Loaf---The Hits: Concert Band Conductor Score

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Meat Loaf---The Hits Cover Image

Meat Loaf---The Hits: Concert Band Conductor Score

Featuring: Paradise by the Dashboard Light / Two Out of Three Ain't Bad / I'd Do Anything For Love (But I Won't Do That)

Words and music by Jim Steinman / arr. Patrick Roszell

Grade: 3 (Medium Easy)

Item: 00-47421S

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Description
He's big and over the top in his music and his performances. Three memorable hits written by Meat Loaf's longstanding songwriter Jim Steinman including, "Paradise by the Dashboard Light," "Two Out of Three Ain't Bad," and "I'd Do Anything For Love (But I Won't Do That)," compose this feel-good medley. Like his performances, go big and over the top, but be sure to have fun! (6:00)

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 36
UPC: 038081546704
SKU: 00-47421S

More about this title

About the Composer: Jim Steinman

Jim Steinman built his career as a composer and lyricist creating some of rock and pop music's most theatrical and ambitious arrangements. Working extensively with Meat Loaf throughout the 1970s and 1980s, he shaped the sound of stadium rock through his mastery of orchestral textures paired with raw emotional intensity. His songs demand full commitment from performers, combining grandiose arrangements with deeply human storytelling.

Why we love this

This medley captures everything that makes Meat Loaf's catalog enduring: soaring melodies, dramatic dynamics, and the kind of theatrical energy that keeps audiences engaged. Patrick Roszell's arrangement scales these arena-sized songs expertly for concert band, preserving the bombastic spirit while remaining accessible at Grade 3. It's the kind of piece that reminds students why they love playing music in the first place.

What to expect

Unapologetically dramatic. These three hits build from intimate, almost vulnerable passages into explosive unisons that demand the entire band lean into the power of their sound. The medley format gives you permission to shift moods quickly, letting students experience the full emotional palette Steinman built into this material.

Who it's for

Conductors looking to program rock repertoire that doesn't sacrifice musicianship for entertainment value. This works for bands seeking a crowd-pleasing moment without stepping down in musical maturity, and for ensembles ready to embrace theatrical performance style without irony.

How to get the most out of it

  • Commit fully to the dynamic contrasts. The quiet, intimate sections only work because the band understands how to pull back as deliberately as they push forward.
  • Balance the melody line across your saxophones and brass so no single voice dominates during the lush harmonic passages.
  • Let the rhythm section breathe on the slower material. A heavy hand here will flatten the emotional impact of the quieter moments.
  • Mark your cut-offs clearly. With three songs compressed into six minutes, precise ensemble stops are essential for clean transitions.

How to use it

Place this strategically in a concert where you need an energy surge and an emotional reset. It works as a second-half opener after something classical or contemplative, or as a penultimate piece that leaves the audience in high spirits. The six-minute duration fits neatly into most concert structures without overwhelming the program.

Skills your students will build

  • Reading and executing dramatic dynamic shifts within a single phrase
  • Maintaining rhythmic precision during rubato and pull-back moments
  • Balancing soli sections while supporting harmonic texture
  • Responding to gestural conducting in theatrical contexts
  • Controlling tone color across contrasting emotional landscapes

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