Measures of Success Flute Book 2 Cover Image

Measures of Success Flute Book 2: Flute Method Book

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Measures of Success Flute Book 2 Cover Image

Measures of Success Flute Book 2: Flute Method Book

By Deborah A. Sheldon, Brian Balmages, Timothy Loest, Robert Sheldon / ed. David Collier

Item: 98-BB210FL

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Description
Measures of Success was created to ignite musical curiosity, to unite conceptual knowledge with performance skills, to foster understanding of the many ways that people share and interact with music, and to assess each student's continued musical growth.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Measures of Success Flute Book 2: Flute Method Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Measures of Success
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56-939902-6
ISBN13: 978-1-56-939902-6
UPC: 674398228416
SKU: 98-BB210FL

More about this title

About the Composer: Deborah A. Sheldon

Deborah A. Sheldon has spent decades developing flute pedagogy materials that prioritize both technical foundation and musical understanding. Her work in the Measures of Success series reflects a collaborative approach with fellow composers Brian Balmages, Timothy Loest, and Robert Sheldon to create comprehensive method books that serve diverse learning styles and musical backgrounds.

Sheldon's philosophy centers on connecting what students learn at the instrument to broader musical literacy. Her contributions to this method book emphasize the relationship between conceptual knowledge and practical execution, recognizing that flutists progress most when they understand the why behind each technical skill.

Why we love this

Book 2 arrives at exactly the moment when students need to expand beyond fundamental mechanics into genuine musicianship. The collaborative authorship ensures that flute-specific challenges are addressed alongside band ensemble considerations, so your advancing players can hold their own in a mixed instrumentation setting without feeling like they're practicing in isolation.

What to expect

Working through Book 2 feels like watching focus sharpen. Exercises build incrementally, and students discover they can tackle passages that seemed out of reach just weeks earlier. The writing balances satisfying technical growth with musical moments that remind players why they chose an instrument in the first place.

Who it's for

Book 2 serves flutists with solid foundational skills who are ready to deepen their musicianship and technical range. It works especially well for students progressing through a concert band program or those seeking to bridge elementary method books with intermediate solo and chamber repertoire.

How to get the most out of it

  • Build tone quality before speed. Many flutists at this level rush through exercises to prove technical facility; Book 2 rewards those who linger on sustained passages and listen for consistent color across the register.
  • Connect rhythmic figures to the concert band context. When Book 2 introduces patterns that appear in standard band repertoire, point them out explicitly so students recognize how method book work transfers directly to their full ensemble music.
  • Use the conceptual framework provided. This method book invites you to discuss the musical thinking behind each exercise, not just execute the mechanics. Students who understand the purpose of a passage practice it differently.

How to use it

Integrate Book 2 into your fall and winter curriculum when students are actively performing in band concerts. The exercises correlate naturally with intermediate band repertoire, so you can assign method book pages that directly support whatever pieces are on your concert schedule. Many directors find that students make the fastest progress when their individual practice reinforces what they're learning in ensemble.

Skills your students will build

  • Extended range playing across two octaves
  • Articulation patterns in varied rhythmic contexts
  • Tone control and intonation in higher registers
  • Sight-reading of intermediate band parts
  • Understanding harmonic function and phrasing
  • Flexibility and technique for concert band literature

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