Meant To Be (feat. Florida Georgia Line) (arr. Mac Huff) Sheet Music Preview

Meant To Be (feat. Florida Georgia Line) (arr. Mac Huff): SATB Choral Octavo

As performed by Bebe Rexha / As performed by Florida Georgia Line / Arranged by Mac Huff

Item: 35-DS00421824

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00421824

More about this title

About the Artist: Bebe Rexha

Bebe Rexha emerged as a songwriter and vocalist with a knack for crafting pop hooks that cross genre lines. Her work spans pop, country, and dance music, often built on collaborations that highlight her ability to blend contemporary pop sensibilities with roots in other traditions. In the classroom, her catalog offers accessible material that resonates with student singers while maintaining musical substance.

Why we love this

Mac Huff's arrangement captures the heart of this duet without losing the country inflection that gives the original its character. The SATB setting sits comfortably for mixed voices, and the harmonic language is sophisticated enough to engage your ensemble while remaining singable across a range of ability levels.

What to expect

Warm and intimate at the start, the piece unfolds with genuine affection and builds to moments of real emotional brightness. The arrangement respects the conversational quality of the original while giving the full choir satisfying harmonic depth to support the soloists.

Who it's for

Choirs looking to program contemporary material that appeals to singers and audiences alike without sacrificing musicality. This works well for high school and adult ensembles comfortable with popular song styles and looking to expand beyond traditional sacred or classical repertoire.

How to get the most out of it

  • Balance the verse carefully so the lyrics remain conversational; the arrangement thrives on intimacy before it builds.
  • Lean into the natural rhythmic lift of the country vernacular in the text rather than overcomplicating diction.
  • Give the soloists room to breathe during their moments; the full choir's job is to support, not overshadow, their lines.

How to use it

Pair this with other contemporary pop or country crossover pieces to create a concert set that celebrates what today's singers care about. It works particularly well in spring concerts where lighter, feel-good programming balances heavier classical works.

Skills your students will build

  • Blending voices in supported harmonic texture underneath a prominent melodic line
  • Maintaining rhythmic precision while preserving lyrical naturalness
  • Balancing solo and ensemble roles within a single arrangement

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