Me and My Piano Duets, Book 2 (Revised) Cover Image

Me and My Piano Duets, Book 2 (Revised): Piano Book

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Me and My Piano Duets, Book 2 (Revised) Cover Image

Me and My Piano Duets, Book 2 (Revised): Piano Book

By Fanny Waterman and Marion Harewood

Level: Elementary

Item: 12-0571532047

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Description
Easy, attractive duets designed to complement the progression of Parts 1 and 2. Some of the 20 pieces in this collection have interchangeable parts of equal difficulty, so that the young pianist can play alongside a teacher, parent or another student, whilst others are intended for pupil/teacher performance. A lively and stimulating mixture of new and familiar material, drawn from many different countries.

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Additional Details
Series: Faber Edition: The Waterman / Harewood Piano Series
Publisher: Faber Music
ISBN10: 0-571-53204-7
ISBN13: 978-0-571-53204-9
SKU: 12-0571532047

More about this title

About the Composer: Fanny Waterman

Fanny Waterman was a British pianist, pedagogue, and composer whose career centered on making classical music accessible to young students. She developed the Waterman/Harewood Piano Series in collaboration with Marion Harewood, creating graded repertoire that balances technical instruction with genuine musical content. Her work reflected her belief that elementary piano students deserved pieces of real artistic merit, not merely exercises dressed up as songs.

Waterman's influence on piano pedagogy extended beyond her own compositions. She founded the Leeds Piano Competition in 1961, an institution that became one of the world's leading platforms for young pianists. Her teaching materials were built on the conviction that duet playing strengthened musicianship, ensemble awareness, and the joy of collaborative music-making from the earliest stages of study.

Why we love this

This collection treats duet partners as equals rather than relegating one player to a subordinate role. The interchangeable parts mean a young pianist genuinely collaborates with a teacher or peer, building confidence and ear training in context rather than isolation. The mix of familiar melodies and original pieces keeps students engaged across twenty short works without repetitive stylistic boredom.

What to expect

The collection spans folk melodies, original miniatures, and pieces drawn from multiple musical traditions, creating a world tour at the piano rather than a monotone journey through one composer's voice. Some pieces sparkle with simple joy, while others have a reflective or rhythmically playful quality that keeps both players alert and musically engaged.

Who it's for

Elementary pianists ready to explore ensemble playing alongside a teacher, parent, or fellow student. This book works for pianists who have completed foundational technique through Parts 1 and 2 of the Waterman/Harewood series and are prepared for both the collaborative demands and modest technical challenges of duet repertoire.

How to get the most out of it

  • Balance your sound with your partner by listening as much as playing. In pieces where parts have equal difficulty, neither player should dominate; adjust dynamics and weight at the keyboard to blend rather than compete.
  • Establish a steady tempo before you begin, and if one player falters, the partner's steady pulse becomes a lifeline. Practice slow enough that you can maintain ensemble integrity without rushing to catch up.
  • When interchangeable parts let you swap positions with your partner, rehearse in both roles. Playing the "teacher" part reveals musical architecture you might miss when accompanying, and strengthens your ability to lead.

How to use it

Assign duets as performance pieces for studio recitals, where a student plays alongside you or a peer, giving less experienced pianists a genuine performing opportunity without the pressure of solo performance. Duets also serve beautifully in educational concerts or school music demonstrations where the dialogue between two pianists showcases ensemble musicianship in an immediately understandable format.

Skills your students will build

  • Listening and blending with an ensemble partner
  • Maintaining steady pulse while coordinating with another player
  • Reading two independent musical lines simultaneously
  • Recognizing and playing pieces from diverse musical cultures
  • Gaining confidence in collaborative rather than solo contexts

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