Me And My Broken Heart Sheet Music Preview

Me And My Broken Heart: SAB Choral Octavo

As performed by Steve Mac / As performed by Wayne Hector / As performed by Benjamin Levin / As performed by Ammar Malik / As performed by Rixton / As performed by Robert Thomas / Arranged by Alan Billingsley

Item: 35-DS00309583

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00309583

More about this title

About the Artist: Steve Mac

Steve Mac is a British songwriter and producer whose work spans pop, R&B, and dance music. He has written and produced tracks for major artists across multiple genres, bringing a distinctive sensibility for melody and groove to his compositions.

Why we love this

Billingsley's arrangement captures the emotional directness of this contemporary pop song while making it genuinely singable for three-part mixed ensembles. The voicing preserves the song's accessibility without sacrificing harmonic interest, and the arrangement respects the original's appeal to younger singers who actually know and connect with this material.

What to expect

Honest and introspective, with an underlying current of resilience. The arrangement draws listeners into quiet moments of vulnerability before building toward stronger ensemble passages, creating dynamic contrast that keeps the piece engaging throughout.

Who it's for

Choirs with mixed voices looking for contemporary material that resonates with student singers and audiences alike. This works especially well for concert programs that include modern pop alongside traditional repertoire, or as an encore piece that shows off your ensemble's versatility.

How to get the most out of it

  • Keep the rhythmic pocket tight and conversational in the verse sections; the power comes from ensemble cohesion rather than technical polish.
  • Balance the melody line carefully across the three parts during key moments to maintain the song's emotional narrative without letting any one voice dominate.
  • Use the recorded accompaniment to establish the contemporary groove early in rehearsals, then gradually move toward a cappella or minimal instrumental sections to build independence.

How to use it

Pair this with other contemporary pop arrangements to build a full concert set that connects with student performers, or use it as a concert finale that leaves audiences with something they recognize and genuinely enjoy hearing live. The eleven-page length makes it substantial enough to carry a program segment without overwhelming rehearsal time.

Skills your students will build

  • Singing contemporary pop phrasing and natural diction
  • Balancing three independent voice parts in a homophonic texture
  • Maintaining rhythmic precision within a groove-based arrangement
  • Expressing emotional authenticity in secular ensemble singing

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