Maybe This Christmas (arr. Frank de Vreeze) Sheet Music Preview

Maybe This Christmas (arr. Frank de Vreeze): SSAA Choral Octavo

As performed by Nils Landgren, Johan Norberg and Jonas Knutsson / As performed by Johan Norberg / As performed by Jonas Knutsson / As performed by Nils Landgren / Arranged by Frank de Vreeze

Item: 35-DS01173241

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS01173241

More about this title

About the Artist: Nils Landgren, Johan Norberg and Jonas Knutsson

Nils Landgren is a Swedish trombonist and vocalist known for blending jazz, soul, and pop idioms with warmth and accessibility. His collaborations with Johan Norberg (piano) and Jonas Knutsson (guitar) showcase a gift for contemporary arrangements that honor pop songwriting while opening doors for ensemble voices. Together, they've built a reputation for creating vocal music that feels both sophisticated and immediate.

Why we love this

Frank de Vreeze's arrangement keeps the intimacy of the original while giving your choir genuine musical substance. The SSAA voicing sits comfortably across a wide range of singers, and the pop idiom means your students will connect to the material from day one. It's the kind of modern seasonal piece that audiences actually want to hear.

What to expect

Reflective and hopeful, with the kind of emotional clarity that pop songwriting does best. The arrangement unfolds with conversational ease, inviting singers to connect genuinely with the text rather than oversell it.

Who it's for

Intermediate to advanced SSA or SSAA choirs looking for contemporary seasonal material with genuine musicality. This works equally well for school choirs wanting something current and concert choirs seeking thoughtful pop arrangements.

How to get the most out of it

  • Balance the melody across your sopranos so the line breathes naturally rather than feeling pushed; this song rewards restraint and space.
  • Lean into the harmonic movement in the inner voices (altos) to create warmth without muddiness; clarity here lifts the whole sound.
  • Treat rhythmic punctuation (where the choir locks together) as a chance to ground the arrangement; these moments should feel grounded, not rushed.

How to use it

Position this as a standalone seasonal feature or pair it with other modern choral pop to anchor a concert segment that speaks to contemporary audiences. Its four pages make it manageable for choirs balancing multiple rehearsals during the December rush.

Skills your students will build

  • Singing in four-part harmony with mixed soprano and alto divisi
  • Interpreting pop phrasing and dynamic control within a choral context
  • Blending voice parts while maintaining individual melodic clarity
  • Responding to harmonic color and movement across upper voices

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