May You Love The Lord Sheet Music Preview

May You Love The Lord: 2-Part Choral Octavo

By Ronald Owen

Item: 35-DS01556598

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS01556598

More about this title

Why we love this

Owen's setting respects the text with musical clarity that doesn't demand elaborate vocal gymnastics, making it accessible for developing singers without sacrificing dignity. The piece sits naturally in the two-part texture, which means your singers can focus on what matters: sincere delivery of the sacred text.

What to expect

Warm and sincere, with an intimate quality that suits both intimate chapel settings and larger worship contexts. The two-part writing creates natural harmonic resonance while keeping the texture transparent and prayer-like.

Who it's for

Directors working with developing choirs, middle school ensembles, or smaller high school groups looking for reverent sacred music that doesn't require advanced sight-reading or extensive rehearsal time. This works equally well for church choirs seeking accessible repertoire with real musical substance.

How to get the most out of it

  • Emphasize the legit of the phrase endings rather than cutting notes short; this music benefits from breath that feels unhurried and intentional.
  • Balance the two parts so neither dominates; the accompaniment will help, but singers should tune to each other across the divisi moments.
  • Approach the text as a genuine expression of devotion rather than a technical exercise; your singers will connect with the material more deeply if you discuss the meaning first.

How to use it

Pair this with other contemporary sacred works for a themed concert exploring modern approaches to hymnody and devotional music. It also serves beautifully as an offertory or processional piece in a worship service, or as the closing number in a concert that needs a moment of stillness.

Skills your students will build

  • Sustaining long phrases with proper breath support
  • Blending two independent vocal lines into unified harmony
  • Singing sacred text with stylistic awareness and reverence
  • Reading and performing divided two-part voicing

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