May You Love And Be Loved Sheet Music Preview

May You Love And Be Loved: 2-Part, SSA Choral Octavo

By Greg Gilpin

Item: 35-DS01590595

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS01590595

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin holds an ASCAP award for his choral compositions and arrangements, establishing himself as one of the country's most accomplished choral voices. His conducting has taken him across major performance venues including Carnegie Hall, Lincoln Center, Ryman Auditorium, the Sydney Opera House, Royal Festival Hall, and Harpa Concert Hall. As Director of Educational Choral Publications for Shawnee Press, Gilpin shapes the landscape of choral music available to singers at all levels.

Beyond the podium and page, Gilpin expanded his professional reach in 2020 by becoming a certified financial coach and professional organizer, launching Maestro Organizing and appearing on Fox, NBC, and the television series Hoarders. His compositional range extends to film scoring; he wrote the award-winning score for the short film Rosie's Rescue in 2021. Gilpin remains active in ACDA, NAfME, and as a Life Loyal Member of Phi Mu Alpha Sinfonia.

Why we love this

Gilpin's gift for setting inspirational texts with genuine warmth rather than sentimentality shows throughout this piece. The 2-part voicing opens this work to developing singers and smaller choirs without sacrificing the emotional weight that makes it meaningful in concert.

What to expect

The piece radiates quiet conviction and earnest optimism. Gilpin crafts an intimate musical statement that feels both personal and communal, inviting singers and listeners into reflection rather than spectacle.

Who it's for

This octavo suits intermediate to advanced middle school choirs, high school choirs with mixed ability levels, and adult community choirs seeking meaningful concert material. Directors looking for an inspirational selection that doesn't require soloistic maturity will find it accessible for their singers.

How to get the most out of it

  • Let the text drive the phrasing rather than forcing regular four-bar breathing points; the most effective moments come when singers shape phrases around complete thoughts
  • Balance the upper and lower voices so neither becomes a mere accompaniment; both lines carry melodic interest and deserve equal weight in rehearsal
  • Record a rehearsal early on and listen together as an ensemble; hearing how the blend sounds will help singers adjust their dynamics and tone quality instinctively

How to use it

This works beautifully as a closing or reflective moment in a mixed concert program, especially when positioned after more energetic selections. It also serves as strong material for a spring or graduation concert where sentiment carries genuine weight rather than overshadowing the music.

Skills your students will build

  • Sustaining legit tone across longer phrase lengths
  • Balancing two independent melodic lines without one voice becoming subordinate
  • Connecting emotional intention to vocal production choices
  • Reading 2-part writing and understanding harmonic function at this texture level

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