May the Living Christ Be with You Sheet Music Preview

May the Living Christ Be with You: SATB Choral Octavo

Arranged by Lloyd John Ogilvie / Arranged by Richard Clemmitt

Item: 35-DS00404867

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00404867

More about this title

About the Arranger: Lloyd John Ogilvie

Lloyd John Ogilvie served as Senior Minister of the First Presbyterian Church of Hollywood for thirty years, bringing his deep theological conviction into every musical project he touched. His arrangements consistently prioritize clarity and sincerity, creating sacred works that honor both the text and the singers who perform them.

Richard Clemmitt is a respected choral composer and arranger whose work spans liturgical and concert settings. His collaborative approach to arranging ensures that traditional material reaches modern choirs with fresh musical vitality while maintaining the reverence the text demands.

Why we love this

This arrangement treats a timeless blessing with musical integrity rather than sentimentality. The SATB writing sits comfortably for church and concert choirs alike, and the text's universality makes it equally at home in a memorial service, Easter program, or moment of communal reflection.

What to expect

The music unfolds with quiet assurance, neither rushing nor lingering. There is warmth in the harmony and a sense of gentle benediction in how the voices move together, creating an atmosphere where the blessing feels offered rather than merely performed.

Who it's for

Church choirs seeking repertoire for services, pastoral moments, or liturgical celebrations will find this setting both musically rewarding and spiritually appropriate. Concert choirs programming sacred works or mixed repertoire benefit from a piece that requires no specialized vocal technique while delivering emotional authenticity.

How to get the most out of it

  • Let the text shape your phrasing. The blessing works best when singers breathe with the words rather than the bar lines, particularly in longer melodic phrases.
  • Balance the parts so no voice dominates. This arrangement succeeds through blend, not feature singers, so adjust section volumes until the harmony sounds unified.
  • Approach the accompaniment as a support for the voices, not a decorative element. Keep the tempo steady and allow the singers to breathe without rushing.

How to use it

Position this as a closing piece for services or concerts where a moment of calm resolution serves the program. It also works effectively as an opening hymn for a sacred concert, immediately establishing reverence and inviting the audience into a contemplative space.

Skills your students will build

  • Ensemble blend and balance in four-part writing
  • Singing text-driven phrasing across phrase lengths
  • Breath management in traditional hymnody
  • Harmonic listening for tuning in sustained chords

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