Mass No. 2 in G, D. 167 (1815) Cover Image

Mass No. 2 in G, D. 167 (1815): Full Orchestra Conductor Score & Parts

$50.00 USD
$50.00 USD
Skip to product information
Mass No. 2 in G, D. 167 (1815) Cover Image
Mass No. 2 in G, D. 167 (1815): Full Orchestra Conductor Score & Parts

Mass No. 2 in G, D. 167 (1815): Full Orchestra Conductor Score & Parts

By Franz Schubert

Item: 36-A271602
$50.00
Shipped

One moment…

Related Items

Mass No. 2 in G, D. 167 (1815): Conductor Score

$25.00
View

Mass No. 2 in G, D. 167 (1815): Mass, Orchestra Accompaniment

$50.00
View

Mass No. 2 in G, D. 167 (1815): Mass, Orchestra Accompaniment, Organ Part

$8.00
View
Description
This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Composed in 1815, it was originally scored for choir, string orchestra, organ, and the soloists and remained one of the composer's less-noted works, not even being printed until 1845. But the Mass's later popularity also led Franz' brother Ferdinand to add winds and timpani after Franz' death. And a 1980s discovery of a set of parts that include trumpets and brass, in addition to some minor changes, suggests that Schubert intended something grander than the original scoring.  The current edition may be played with the original strings and organ only or with the addition of the oboe/clarinets, bassoons, trumpets, and timpani. Apart from some passages for the soprano, this Mass has only modest solo passages, and it is written in a devotional mood. Instrumentation: 0.2(opt.subCl).0.2(opt): 0.2(opt).0.0: Timp(opt): Org: Str (4-4-3-3-3 in set): Solo SATB: Mix Chor. Vocal score and choral score available separately.

Mass No. 2 in G, D. 167 (1815): Full Orchestra Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
UPC: 660355037733
SKU: 36-A271602
Instrumentation: (0, 2, 0, 2 - 0, 2, 0, 0, timp), org, str (2.2.1.1.1), solo SATB, mx chor

More about this title

About the Composer: Franz Schubert

Franz Schubert (1797-1828) composed prolifically across nearly every genre despite his short life, writing nine symphonies, over 600 songs, chamber works, and sacred music that would reshape Romantic composition. His sacred works blend the formal structures of the Classical Mass tradition with the emotional directness and harmonic innovation that defined his style, making them accessible to singers while offering genuine musical substance.

Schubert wrote six complete Masses between 1814 and 1828, a significant output that reflected both his compositional development and his engagement with liturgical music. The Mass No. 2 in G stands apart for its modest scale and devotional character, qualities that have made it one of his most frequently performed sacred works in educational and professional settings.

Why we love this

This Mass opens a direct path to Schubert's sacred language without overwhelming forces or technical demands on soloists. The flexibility of instrumentation (playable with strings and organ alone, or expanded with winds, brass, and timpani) lets you build the piece to match your ensemble's strength, and the devotional tone carries genuine weight regardless of which scoring you choose.

What to expect

The Mass unfolds with quiet devotion, its harmonic language warm and introspective without austerity. Schubert's gift for melody and his direct emotional approach create moments of genuine tenderness, particularly in the solos, while the choral writing remains approachable and singable even in its moments of liturgical formality.

Who it's for

Conductors leading choirs with modest orchestral resources, as well as those with fuller ensembles seeking a substantial but manageable sacred work. This Mass works for collegiate, community, and advanced high school choirs, and the flexible instrumentation means you can program it regardless of your instrumental depth.

How to get the most out of it

  • Balance the choir prominently in the opening Kyrie; Schubert's harmonic language carries the spiritual weight, and clarity of text matters more than blending into the orchestral accompaniment.
  • Shape the soprano solos with careful attention to line; outside the solos, the voice parts occupy a subordinate role, so use those moments to rest the voice before engaging fully in florid passages.
  • Maintain a steady organ continuo foundation throughout, especially in the sections using only strings. This grounding allows the choir and soloists room to shape phrases without rhythmic drift.
  • If adding brass and winds, introduce them gradually across movements rather than all at once; the full scoring emerges rather than arriving suddenly.

How to use it

This works well as a concert centerpiece for a mixed choral program, particularly alongside other Romantic sacred works or as a counterpoint to larger liturgical settings. Its devotional character and moderate length (around 25-30 minutes) make it suitable for special services, interfaith events, or as the anchor piece in a concert exploring Schubert's sacred output.

Skills your students will build

  • Navigating flexible instrumentation and editorial choices in performance
  • Balancing solo and choral texture in liturgical contexts
  • Responding to Schubert's harmonic language and phrase structure
  • Sustaining a devotional mood across multiple movements
  • Ensemble coordination in a chamber orchestra setting

You May Also Like