Mass in F minor (wind set) Cover Image

Mass in F minor (wind set): Full Orchestra

$165.00 USD
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Mass in F minor (wind set) Cover Image

Mass in F minor (wind set): Full Orchestra

By Anton Bruckner / Edited by Rüdiger Bornhöft

Item: 98-0014107598

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Description

The wind set of Mass in F minor, one of Bruckner's most important works, and it is also one of the most important works in the genre of mass settings. This extensive work is available here in a representative Urtext edition, edited by Rüdiger Bornhöft, in which Bruckner's autograph and the two surviving copyist's copies of the score have been analysed critically and the Bruckner Complete Edition has also been consulted for comparison.



Original item: EP10923-WND

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 168
ISBN10: 0-01-410759-7
ISBN13: 979-0-01410-759-8
UPC: 0
SKU: 98-0014107598

More about this title

About the Composer: Anton Bruckner

Anton Bruckner (1824-1896) was an Austrian composer and organist whose symphonies and sacred works define the Romantic tradition. His masses represent some of the most ambitious choral and orchestral writing of the nineteenth century, combining the liturgical dignity of the classical mass with the harmonic richness and orchestral color of the Romantic era. Bruckner's deep faith and his training as a church musician shaped his approach to sacred music, resulting in works of profound spiritual weight.

Why we love this

This Urtext edition gives you access to Bruckner's original intentions without the competing versions and editorial interventions that have muddied other printings. Rüdiger Bornhöft's critical analysis of the autograph and surviving copyist materials ensures that what you're rehearsing reflects what Bruckner actually wrote. For orchestras ready to tackle a monumental work in the grand Romantic sacred tradition, this is the authoritative foundation.

What to expect

The Mass in F minor unfolds with the gravitas and spiritual introspection characteristic of Bruckner's greatest works. Grand orchestral gestures alternate with intimate choral moments, and the harmonic language moves through unexpected tonal regions with both logic and emotional power. This is music of enormous scale that never loses sight of the intimacy at the heart of the liturgy.

Who it's for

This work is for advanced orchestras and large choirs with professional or semi-professional musicians who have experience with complex, extended sacred literature. Conductors who program Bruckner symphonies will find the Mass in F minor a natural addition to their repertoire; it requires the same ensemble maturity and interpretive depth.

How to get the most out of it

  • Study the score thoroughly before rehearsals begin; Bruckner's structural logic and the relationships between orchestral choirs become clearer with careful reading, and you'll lead rehearsals with greater purpose.
  • Shape the long melodic lines with clear direction and subtle dynamic shaping rather than literal adherence to the printed dynamics; Bruckner's massive phrases often span entire sections and require a conductor's hand to maintain coherence.
  • Balance the brass and woodwind choirs carefully; Bruckner's orchestration often layers these sections in ways that can easily muddy the texture if the blend isn't managed thoughtfully.
  • Allow singers and players breathing room in the vast slower passages; the spiritual quality of this music depends on unhurried pacing and genuine silence between major sections.

How to use it

Program this as the centerpiece of a concert devoted to Romantic sacred music, or pair it with a Bruckner symphony to create a thematic evening exploring his artistic vision. The work's length and complexity make it suited to a dedicated performance rather than a mixed program, allowing audiences to experience its full architectural and spiritual scope.

Skills your students will build

  • reading extended classical mass structures (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) in a Romantic harmonic language
  • balancing large choral and orchestral forces across complex textures
  • maintaining musical direction through long phrases and slow harmonic rhythm
  • interpreting Urtext editions and understanding the relationship between autograph and editorial sources
  • sustaining ensemble cohesion across the work's substantial length and dynamic range

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