Mass in F minor (double bass) Cover Image

Mass in F minor (double bass): Bass Part

$15.95 USD
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Mass in F minor (double bass) Cover Image
Mass in F minor (double bass): Bass Part

Mass in F minor (double bass): Bass Part

By Anton Bruckner / Edited by Rüdiger Bornhöft

Item: 98-0014107642
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Description
The double bass part of Mass in F minor, one of Bruckner's most important works, and it is also one of the most important works in the genre of mass settings. This extensive work is available here in a representative Urtext edition, edited by Rüdiger Bornhöft, in which Bruckner's autograph and the two surviving copyist's copies of the score have been analysed critically and the Bruckner Complete Edition has also been consulted for comparison.

Original Item#: EP10923-CB

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-01410-764-2
ISBN13: 979-0-01410-764-2
UPC: 0
SKU: 98-0014107642

More about this title

About the Composer: Anton Bruckner

Anton Bruckner (1824-1896) was an Austrian composer and organist whose symphonies and sacred works redefined the scope and ambition of both genres in the Romantic era. His masses, written across his career, represent some of the most architecturally complex and spiritually profound settings of the Latin liturgy in the nineteenth century.

Bruckner's approach to sacred music combined the contrapuntal mastery of earlier composers with the harmonic language and orchestral grandeur of his symphonic writing. The Mass in F minor stands among his most significant contributions to choral and orchestral literature, demanding sophisticated musicianship from all string parts.

Why we love this

This Urtext edition by Rüdiger Bornhöft offers bass players access to Bruckner's original intentions, grounded in careful comparison of autograph and copyist sources. The part demands serious musical engagement and rewards orchestras with the authentic sonority Bruckner imagined for this architectural masterwork.

What to expect

The Mass in F minor unfolds with liturgical solemnity and symphonic scope. The bass line carries both the weight of tradition and the harmonic daring of the Romantic era, moving from contemplative stillness to surging passages that build toward moments of transcendent intensity.

Who it's for

This part is for orchestras and chamber string groups with players capable of handling the demands of major nineteenth-century sacred repertoire. Double bassists must read fluently in multiple clefs, navigate wide range, and understand the harmonic architecture that sustains Bruckner's large-scale design.

How to get the most out of it

  • Establish a secure low foundation for the harmonic progressions; Bruckner builds momentum through sustained bass voice work, and clarity here supports the entire ensemble's intonation.
  • Balance sustained passages with the active accompaniment figures; the part shifts between anchoring chords and supporting melodic motion, each requiring different tonal weight.
  • Prepare for wide intervallic leaps by mapping the harmonic function of each entrance; understanding where you sit in the overall structure helps shape phrasing across long lines.
  • Listen carefully to the cello part in passages where bass and cello divide the harmonic foundation; unified articulation between the two voices creates the secure base this music requires.

How to use it

Consider programming this as a significant choral-orchestral centerpiece for a concert focused on major European sacred music or Romantic-era orchestration. The sixteen-page part indicates substantial material; plan rehearsal time accordingly and pair with complementary works that allow audiences to appreciate Bruckner's harmonic language in context.

Skills your students will build

  • Reading multiple clefs (treble, tenor, bass) with fluency
  • Understanding harmonic function across extended tonal structures
  • Sustaining long lines while maintaining tonal center in string writing
  • Coordinating with cello to establish unified harmonic foundation
  • Interpreting Romantic-era phrasing and articulation in sacred context

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