Mass in E-flat Major Cover Image

Mass in E-flat Major: SATB divisi with SATB Soli Choral Book

$12.99 USD
$12.99 USD
Skip to product information
Mass in E-flat Major Cover Image
Mass in E-flat Major: SATB divisi with SATB Soli Choral Book

Mass in E-flat Major: SATB divisi with SATB Soli Choral Book

By Franz Schubert

Item: 00-K06421
$12.99
Shipped

One moment…

Description
During 1828, the final year of his life, Franz Schubert composed his Mass No. 6, which was not performed until a year after his death. It is a more ambitious orchestral and choral work than his previous Masses. This score presents the choral portion of the Mass in Latin, with each voice on a separate staff, including solos and a piano reduction of the orchestral portion for accompaniment or rehearsal. 95 pages. Includes: Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei.

Mass in E-flat Major: SATB divisi with SATB Soli Choral Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 100
ISBN10: 0-7692-4508-0
ISBN13: 978-0-7692-4508-9
UPC: 029156033519
SKU: 00-K06421
Instrumentation: Orch.

More about this title

About the Composer: Franz Schubert

Franz Schubert (1797-1828) was an Austrian composer whose short life produced an astonishing output across nearly every musical form. He wrote nine symphonies, over 600 lieder, chamber music, and sacred works that bridged Classical structure and Romantic expression. His music combines formal clarity with profound emotional depth and harmonic innovation, making him a pivotal figure in the transition between Classical and Romantic eras.

Schubert composed six masses between 1814 and 1828, the final one in E-flat Major completed during his last year. These works showcase his mastery of choral writing and his ability to infuse liturgical texts with lyrical beauty and architectural grandeur. His masses remain central to the Catholic choral repertoire and stand as essential works for choirs seeking to deepen their engagement with the sacred canon.

Why we love this

This Mass demands serious musicianship while rewarding ambitious choirs with some of the most grateful vocal writing in the sacred repertoire. The divisi sections and prominent solo passages create opportunities for voice specialization and individual artistry, and Schubert's harmonic language here feels both intimate and expansive. Programming this work signals to your singers and audience that you're committed to substantial choral literature.

What to expect

Schubert's late Mass unfolds with spacious lyricism and unexpected harmonic turns that feel both timeless and intimate. The work alternates between monumental choral sections of rich orchestral color and moments of crystalline beauty, particularly in the Benedictus and Agnus Dei. There is a profound serenity here, tempered by moments of urgent devotion.

Who it's for

This Mass suits accomplished SATB choirs with vocal maturity, blend, and intonation to sustain demanding divisi writing. It works well for choirs preparing for concert performances, sacred music festivals, or liturgical use in Catholic settings. Directors comfortable conducting longer classical forms and coaching solo quartets will find this rewarding repertoire.

How to get the most out of it

  • Establish clear dynamic control in the Gloria and Credo; Schubert's scoring can obscure the text if singers don't shape phrases with restraint and direction.
  • Balance the solo quartet against the full choir thoughtfully; the Benedictus especially benefits from soloists who can sing without forcing, letting the orchestral reduction support them.
  • Mark measure numbers and rehearsal points clearly in all parts before the first rehearsal; a 95-page work requires efficient navigation.
  • Attend to Schubert's key relationships between movements; the harmonic journey from Kyrie through Agnus Dei creates a larger architectural coherence worth highlighting in interpretation.

How to use it

Reserve this for a concert dedicated to Schubert, a larger sacred music program, or as the centerpiece of a liturgical season. Its 95-page length makes it suited to a full evening when paired with shorter sacred or secular works, or as a concert finale that leaves audiences in contemplative silence. This is repertoire that justifies a full rehearsal season's investment.

Skills your students will build

  • Managing complex divisi voicing and maintaining intonation in split voice parts
  • Sustaining long phrases across extended vocal lines without fatigue
  • Responding to Romantic-era harmonic language and modal inflection
  • Balancing solo passages with choral sections and blend with orchestral reduction
  • Navigating a substantial multi-movement work with architectural coherence

You May Also Like