Mash-Up – Vol. 1: Score
Featuring: Forget You / Don't Stop Believin'
Forget You: Words and music by Christopher Brown, Peter Hernandez, Ari Levine, Philip Lawrence, and Thomas "Cee Lo" Callaway; Don't Stop Believin': Words and music by Jonathan Cain, Neal Schon, and Steve Perry / arr. Patrick Roszell
Grade: 3 (Medium Easy)
Item: 00-PR-0004116
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Mash-Up – Vol. 1: Score comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Why we love this
This arrangement taps into repertoire your students already know and love, which means immediate engagement from the moment you introduce it. The writing showcases your best brass soloists without requiring them to carry the entire band, and the seamless blend of two contrasting pop hits gives you a show-stopping closer that audiences recognize instantly.
What to expect
High-energy and accessible, with the infectious optimism of both original songs intact. The arrangement sparkles with brass energy and pop sensibility while maintaining the ensemble cohesion that makes concert band rewarding to conduct.
Who it's for
Concert bands at the middle school through early high school level who want to program contemporary pop repertoire that engages both performers and audiences. This works especially well for groups with strong trumpet and trombone players eager for featured solos in a full ensemble context.
How to get the most out of it
- Balance the trumpet and trombone soloists against the full band backdrop; they need to cut through the arrangement without drowning out the ensemble harmony underneath.
- Lock the rhythmic feel between your rhythm section and brass stabs during the transitions between the two songs; the mash-up impact depends on precise alignment during those pivotal moments.
- Shape the energy of each song distinctly before combining them; establish the character of each tune separately in sectionals so the contrast reads clearly when they meet in the arrangement.
How to use it
Program this as a finale or pre-finale on a pops concert, or position it as a bridge between a traditional first half and a more contemporary second half. The 3:30 runtime and audience familiarity make it ideal for building momentum in a concert arc.
Skills your students will build
- Balancing featured soloists with ensemble texture
- Executing rhythmic precision in syncopated pop grooves
- Maintaining stylistic contrast between two distinct melodic ideas within a single arrangement
- Reading and executing modern pop articulation and phrasing conventions