Mash-Up – Vol. 1: 2nd Trombone Sheet Music Preview

Mash-Up – Vol. 1: 2nd Trombone

Featuring: Forget You / Don't Stop Believin'

Forget You: Words and music by Christopher Brown, Peter Hernandez, Ari Levine, Philip Lawrence, and Thomas "Cee Lo" Callaway; Don't Stop Believin': Words and music by Jonathan Cain, Neal Schon, and Steve Perry / arr. Patrick Roszell

Grade: 3 (Medium Easy)

Item: 00-PC-0015803_TN2

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Description
Cee Lo Green's "Forget You" and Journey's "Don't Stop Believin'" collide in this exciting "Mash-Up" reminiscent of the popular television show Glee. This arrangement presents an exhilarating performance opportunity for your outstanding trumpet and trombone soloists and provides an entertaining experience for bands and audiences alike. Building on the "Mash-Up" concept, the two tunes are joined as one in the show-stopping arrangement. (3:30)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Mash-Up – Vol. 1: 2nd Trombone comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 242
SKU: 00-PC-0015803_TN2

More about this title

Why we love this

This arrangement taps into repertoire your students already know and love, which means immediate engagement from the moment you introduce it. The writing showcases your best brass soloists without requiring them to carry the entire band, and the seamless blend of two contrasting pop hits gives you a show-stopping closer that audiences recognize instantly.

What to expect

High-energy and accessible, with the infectious optimism of both original songs intact. The arrangement sparkles with brass energy and pop sensibility while maintaining the ensemble cohesion that makes concert band rewarding to conduct.

Who it's for

Concert bands at the middle school through early high school level who want to program contemporary pop repertoire that engages both performers and audiences. This works especially well for groups with strong trumpet and trombone players eager for featured solos in a full ensemble context.

How to get the most out of it

  • Balance the trumpet and trombone soloists against the full band backdrop; they need to cut through the arrangement without drowning out the ensemble harmony underneath.
  • Lock the rhythmic feel between your rhythm section and brass stabs during the transitions between the two songs; the mash-up impact depends on precise alignment during those pivotal moments.
  • Shape the energy of each song distinctly before combining them; establish the character of each tune separately in sectionals so the contrast reads clearly when they meet in the arrangement.

How to use it

Program this as a finale or pre-finale on a pops concert, or position it as a bridge between a traditional first half and a more contemporary second half. The 3:30 runtime and audience familiarity make it ideal for building momentum in a concert arc.

Skills your students will build

  • Balancing featured soloists with ensemble texture
  • Executing rhythmic precision in syncopated pop grooves
  • Maintaining stylistic contrast between two distinct melodic ideas within a single arrangement
  • Reading and executing modern pop articulation and phrasing conventions

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