Marry You Sheet Music Preview

Marry You: SATB Choral Octavo

By Bruno Mars / By Ari Levine / By Philip Lawrence / As performed by Glee Cast / Arranged by Tim Davis / Arranged by Adam Anders

Item: 35-DS00166121

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Additional Details
Publisher: Hal Leonard
Page Count: 19
SKU: 35-DS00166121

More about this title

About the Composer: Bruno Mars

Bruno Mars is a singer, songwriter, and producer whose work spans pop, rock, and R&B. Born Peter Gene Hernandez in Hawaii, he built his career on infectious melodies, tight grooves, and an ear for arrangement that draws from classic soul and contemporary production. His influence on popular music education has grown as teachers seek repertoire that engages students through songs they know and love.

Why we love this

This arrangement captures what made the song a cultural moment: the irresistible hook, the sing-along quality, and genuine joy. Tim Davis and Adam Anders have crafted SATB writing that sits beautifully for high school and community choirs while preserving the song's pop sensibility, making it ideal for concerts where you want to connect with your audience without sacrificing musical substance.

What to expect

Infectious and celebratory. The arrangement sparkles with the kind of straightforward energy that makes people want to sing along. There's an optimism in the harmonic language that feels both contemporary and timeless.

Who it's for

High school choirs, community choirs, and college ensembles looking for contemporary repertoire that audiences recognize and singers enjoy performing. It's equally at home in a pop-focused program or as a lighter moment in a mixed concert.

How to get the most out of it

  • Keep the tempo driving but loose. The groove matters more than metronomic precision, so encourage singers to lock in as an ensemble rather than chase the click.
  • Shape the melody with the text. This song lives in conversational phrasing, so treat punctuation and word stress as guides for breath placement and dynamic contour.
  • Balance the parts carefully in the chorus. The alto and tenor lines provide harmonic texture that can muddy if they're not singing with clarity and a lighter touch than the soprano and bass.
  • Lean into the arrangement's simplicity. There's no need to over-complicate what works because of its directness. Let the text and melody carry the song.

How to use it

This works best as a standalone moment that gives your choir a chance to breathe and connect with the audience on familiar ground. Place it midway through a concert to reset energy, or use it as a closer if your program can afford to end on something celebratory rather than profound.

Skills your students will build

  • Singing contemporary pop idioms with musicality and control
  • Balancing blend in four-part harmony within a rhythmic groove
  • Understanding text-driven phrasing in conversational melodies
  • Maintaining ensemble cohesion in syncopated rhythmic figures

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