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Mare Tranquillitatis: String Orchestra Conductor Score & Parts

$70.00 USD
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Mare Tranquillitatis Cover Image

Mare Tranquillitatis: String Orchestra Conductor Score & Parts

By Roger Zare

Grade: 5

Item: 98-ST6268

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Description
Immerse yourself in a sea of tranquility as your ensemble explores this powerful lyrical work with brilliant orchestration along with exceptional harmonic and melodic development. The work features a solo quartet that is juxtaposed with lush full ensemble writing to create a wealth of interesting textures. As the emotional arc of the piece grows, it soon transforms into a beautiful sweeping line that brings closure to the pent up tension of the previous section. An epilogue follows as the piece ends with one final tender moment with soloists. Breathtaking!

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 674398230587
SKU: 98-ST6268

More about this title

About the Composer: Roger Zare

Roger Zare is a prolific composer and arranger whose work spans orchestral, band, and chamber settings. His compositions for young ensembles balance accessibility with musical substance, earning recognition in educational and professional circles alike.

Why we love this

Mare Tranquillitatis gives you a legitimate emotional arc without requiring advanced technical chops from your players. The structural clarity (quartet writing that evolves into full ensemble, then epilogue) teaches ensemble balance and dynamic storytelling in a way students can actually hear themselves achieving.

What to expect

The piece unfolds like a single breath held and released. Beginning in quiet reflection, it builds with quiet inevitability toward a moment of full, radiant sound before settling into a tender farewell. The journey feels earned rather than rushed.

Who it's for

Grade 5 string orchestras with solid ensemble cohesion and capable soloists. Directors preparing festival submissions will find the contest designation reassuring, and programs looking to balance contemporary repertoire with lyrical, accessible writing will appreciate this choice.

How to get the most out of it

  • Shape the solo quartet passages with a focused, intimate sound; these moments are the emotional anchor of the piece, not background material.
  • Attend carefully to the transition from quartet to full ensemble writing. The addition of each voice should feel organic, not sudden.
  • Allow the sweeping melodic line in the climactic section to breathe. Avoid over-conducting; let the harmonic movement carry the phrase.
  • The epilogue demands a return to restraint and transparency. Soloists should lead with warmth, not vibrato alone.

How to use it

This works beautifully as a closing piece in a concert, particularly when preceded by shorter or more energetic works. The emotional resolution makes it strong for festival programming, and the dual focus on soloist and ensemble ensures both small group and full orchestra students feel featured.

Skills your students will build

  • Blending and balance within a small ensemble under full orchestra accompaniment
  • Sustaining long lines with dynamic shape and harmonic awareness
  • Responding to structural changes (quartet to full ensemble to epilogue) with appropriate textural adjustment
  • Listening for harmonic progression and voicing clarity in lush, chromatic writing
  • Controlling vibrato and tone color to support ensemble sound rather than dominate it

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