Marching Along Cover Image

Marching Along: Percussion Ensemble Score & Parts

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Marching Along Cover Image

Marching Along: Percussion Ensemble Score & Parts

By Kevin Kaisershot

Level: Easy-Medium

Item: 81-PE22239

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Description
Marching Along is an effective five-part percussion ensemble work by Kevin Kaisershot, and is an excellent vehicle for teaching the 6/8 meter to young musicians. Utilizing only two xylophones for the melody, the remaining rhythm is provided by a standard snare drum, bass drum, and in this small setting---a pair of finger cymbals.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-872-6
ISBN13: 978-1-77157-872-1
UPC: 685462028733
SKU: 81-PE22239
Instrumentation: Percussion Ensemble

More about this title

Why we love this

Kaisershot has written a piece that accomplishes what many percussion works struggle with: it teaches 6/8 meter through genuine musicality rather than abstract exercises. The five-part texture keeps every player engaged without requiring advanced technical skills, and the combination of xylophones, snare drum, bass drum, and finger cymbals creates a balanced, tuneful sound that young percussionists actually enjoy hearing themselves produce.

What to expect

Marching Along has a straightforward, accessible character that carries genuine forward momentum. The combination of pitched and unpitched percussion creates a cheerful, uncomplicated sound that remains engaging throughout without demanding virtuosity from any single player.

Who it's for

Young percussionists in school ensemble settings or community percussion programs who are encountering 6/8 meter for the first time. The piece works equally well in beginner-level percussion ensembles and as an accessible entry point for mixed instrumental ensembles looking to add percussion.

How to get the most out of it

  • Establish the 6/8 pulse clearly during rehearsal by conducting or tapping the beat in two; many young players first encounter this meter and benefit from hearing it subdivided before they integrate it internally.
  • Balance the xylophones so the melodic line cuts through without the rhythm section receding into the background; each part deserves to be heard.
  • Let the finger cymbals breathe in their moments; they're sparingly used, which means each entrance should feel deliberate and musical rather than rushed.

How to use it

Consider opening a percussion concert with this piece to establish a clear, confident start to the program. It also pairs naturally with other accessible ensemble works in a mixed concert, offering directors a way to give younger or less experienced percussionists meaningful solo repertoire.

Skills your students will build

  • Reading and playing in 6/8 meter
  • Balancing multiple percussion lines in ensemble context
  • Independence between melody and rhythm section
  • Coordination between pitched and unpitched percussion
  • Basic finger cymbal technique

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