Marche Fantastique Cover Image

Marche Fantastique: Concert Band Conductor Score & Parts

$50.00 USD
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Marche Fantastique Cover Image

Marche Fantastique: Concert Band Conductor Score & Parts

For Concert Band

By François-Olivier Fortin

Item: 81-CB225489

$50.00
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Description
This great march gets everyone in the band going, with strong melodic lines and harmonies, building up to a grand finish. Your students will really love Marche Fantastique by François-Olivier Fortin, and agree to the French saying: C'est fantastique! (2:00)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77893-133-2
ISBN13: 978-1-77893-133-8
SKU: 81-CB225489

More about this title

Why we love this

Fortin understands what makes a march work at this level: clear, singable melodic lines that every section can grab onto, harmonic support that locks the band together, and a trajectory that feels inevitable rather than arbitrary. The grade ½ scoring means your students spend their energy on musicality and ensemble balance, not fingering gymnastics, so they can actually hear themselves as part of something grand.

What to expect

Marche Fantastique has the pageantry and forward motion you expect from a march, but with enough melodic character to keep it from feeling mechanical. Layers of harmony build steadily, creating warmth and presence as the piece unfolds, culminating in a finish that feels earned rather than imposed.

Who it's for

Beginning to early intermediate concert bands looking for accessible march repertoire that still demands musicianship and ensemble listening. This works beautifully for directors who want students to experience the satisfaction of executing a complete concert piece with a real sense of arrival and momentum.

How to get the most out of it

  • Shape the opening melodic statements with gentle rubato to establish character before locking into strict march time; this creates contrast when the full ensemble enters.
  • Balance the upper woodwinds and lower brass carefully in the harmonic sections so the melody reads clearly without any section drowning out the inner voices.
  • Build intensity gradually through the final section rather than jumping to full volume at once; think of it as layering dynamic waves until the grand finish arrives.

How to use it

Open a concert with this to set an energetic, confident tone from the first note, or program it as a palate cleanser between slower works to refresh both audience and ensemble. At two minutes, it fits naturally into festival or contest programs and leaves room for larger works without overwhelming your rehearsal schedule.

Skills your students will build

  • Balancing melody and harmony within a full ensemble voicing
  • Executing dynamic shaping across multiple phrases without losing metric precision
  • Responding to conductor gesture for transitions and cumulative intensity
  • Listening across sections to maintain blend in a homophonic texture

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