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March Past Of The Kitchen Utensils: Concert Band Conductor Score & Parts

$90.00 USD
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March Past Of The Kitchen Utensils Cover Image

March Past Of The Kitchen Utensils: Concert Band Conductor Score & Parts

By Ralph Vaughan Williams / arr. John Fulton

Grade: 3.5

Item: 98-RWS254300

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Description
Ralph Vaughan Williams' March Past of the Kitchen Utensils is a unique "walking" style English march. There are several teaching moments that you and your students will enjoy as you prepare this piece for concert or festival. If you're looking to bring something unusual to a festival or assessment, or to end a concert with a fun march, consider March Past of the Kitchen Utensils.

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Additional Details
Series: RWS - Concert Band
Publisher: RWS Music Company
ISBN10: 1-4706-7858-6
ISBN13: 978-1-4706-7858-6
UPC: 038081602936
SKU: 98-RWS254300

More about this title

About the Composer: Ralph Vaughan Williams

Ralph Vaughan Williams (1872, 1958) was England's most influential composer of the twentieth century, bridging the gap between European classical tradition and a distinctly English musical identity. His arrangements and original works for amateur musicians revealed a deep commitment to music education; he believed that accessible, engaging music could develop musicianship across all levels without sacrificing artistic substance.

Why we love this

This march strips away the pomp and formality you'd expect from the genre and replaces it with infectious humor and character. The orchestration is colorful without demanding virtuosity, making it a rare piece that genuinely entertains both your ensemble and your audience while teaching solid musical concepts.

What to expect

Imagine a procession led by everyone in the kitchen bringing their favorite utensils to a parade. There's lightness and playfulness in the orchestration, but the march itself has genuine buoyancy and forward motion. The writing is warm and accessible, inviting rather than intimidating.

Who it's for

Concert bands at the intermediate level looking for a festival or contest selection that stands apart from standard march repertoire. It works equally well as an encore that sends audiences home smiling, proving that concert band music can be both musically substantial and genuinely fun.

How to get the most out of it

  • Keep the tempo steady and deliberate; the 'walking' quality depends on a confident, unhurried pulse rather than rushing through the sections.
  • Balance the melodic lines across sections rather than letting any single voice dominate; the charming orchestration only works when voices are clearly heard.
  • Lean into the rhythmic precision in the tutti passages to highlight the march's swagger and character.

How to use it

Close a concert with this as a departure from heavier works, letting your audience leave in high spirits. It also fits beautifully in a program exploring English band music or twentieth-century light concert fare. For festival play-throughs, it gives judges a clear sense of your ensemble's musicality and precision in a context that's memorable rather than forgettable.

Skills your students will build

  • Maintaining steady tempo within a march form
  • Balancing independence within ensemble sections
  • Responding to character and humor through phrasing and articulation
  • Reading colorful orchestration that requires attentiveness to multiple lines

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