March of the Toys: String Orchestra Conductor Score & Parts
By Victor Herbert / arr. Bob Lipton
Grade: 4
Item: 98-DST6308
$55.00
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| March of the Toys: Score | $5.00 | |
| March of the Toys: Violin 1 | $7.00 | |
| March of the Toys: Violin 2 | $7.00 | |
| March of the Toys: Viola | $7.00 | |
| March of the Toys: Violoncello | $7.00 | |
| March of the Toys: Double Bass | $7.00 |
Parts Added to Cart!
Description
This catchy, yet sophisticated march from Babes in Toyland showcases Victor Herbert at his absolute best. String orchestras do not typically get the chance to play marches like this on their own; however, you will be shocked at how natural it sounds. From the opening fanfare to the epic grandioso section, your students are sure to have a fantastic time with this one. An excellent piece for your winter program!
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, March of the Toys: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
FJH String Orchestra
Publisher:
The FJH Music Company, Inc.
SKU:
98-DST6308
More about this title
About the Composer: Victor Herbert
Victor Herbert (1859-1924) composed some of the most enduring operettas and theatrical works of the American stage. A trained cellist and conductor as well as composer, Herbert understood orchestral color intimately, which shaped his gift for writing memorable melodies supported by sophisticated harmonies. His theatrical output, particularly Babes in Toyland (1903), remains a staple of holiday programming across schools and community theaters.
Why we love this
String orchestras rarely get access to true marches that feel authentic and rewarding to perform, yet this arrangement proves the genre suits strings beautifully. Lipton has crafted a piece that maintains Herbert's theatrical swagger while giving every section a moment to shine, making it an ideal closer for a winter concert that doesn't demand elaborate staging or vocals.
What to expect
Cheerful and strutting, with the unmistakable charm of early 20th-century American musical theater. The piece moves with infectious momentum, building from its spirited opening through increasingly grand gestures that invite the ensemble to play with pride and personality.
Who it's for
String orchestras at the intermediate to early advanced level looking for a festive, engaging piece that works well in winter or holiday concerts. Directors seeking something with broad appeal that challenges students without overwhelming them will find this arrangement accessible yet musically satisfying.
How to get the most out of it
- Shape the opening fanfare with clarity and purpose; let the articulation define the march character rather than rushing the tempo.
- Balance the melodic line across first violins and violas during the grandioso section so the main theme projects without sacrificing the harmonic foundation.
- Use light, crisp bow strokes in the faster scalar passages to maintain the piece's inherent energy and prevent it from feeling sluggish.
How to use it
Program this as a concert opener or closer in a winter series; its theatrical energy and relatively compact length make it ideal for capturing audience attention quickly or sending listeners out in high spirits. It pairs well alongside other holiday pops selections or as a standalone showpiece that showcases your ensemble's technical command.
Skills your students will build
- Articulation control in fast scalar passages and fanfare figures
- Sustaining lyrical lines with consistent tone across the grandioso section
- Ensemble balance and blend when melodic material shifts between sections
- Stylistic understanding of march form and theatrical musical character