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March of the Patriots: Concert Band Conductor Score & Parts

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March of the Patriots Cover Image

March of the Patriots: Concert Band Conductor Score & Parts

By Erik Morales

Grade: 3

Item: 98-B1455

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Description
This riveting concert march pays homage to the great march composers of the past while adding a few contemporary elements to set it apart and give it a fresh sound. Exciting melodies, modern harmonies, and all the elements of a traditional march combine to deliver an outstanding new work for your next concert or festival performance. Outstanding!

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 674398227457
SKU: 98-B1455

More about this title

About the Composer: Erik Morales

Erik Morales

Erik Morales has built a prolific career bridging serious composition with music education. Born in New York City in 1966, he studied composition at Florida International University and completed his bachelor's degree at the University of Louisiana, Lafayette in 1989. Since his first arranging work for a high school marching band in 1985, Morales has published over 150 works across wind, orchestral, jazz, and chamber settings, earning commissions from schools and organizations nationwide.

His contributions to trumpet literature are particularly notable. His trumpet ensembles have won first place at the 2006 and 2008 National Trumpet Competitions, and his Concerto for Trumpet in C and Piano premiered at the 2009 International Trumpet Guild conference. In 2012, a consortium commissioned Concerto for Two Trumpets premiered at the ITG conference in Grand Rapids. Morales was inducted into the Louisiana Association for Jazz Education's Hall of Fame in 2016. His compositional voice draws on classical, jazz, and commercial idioms while maintaining accessibility for student ensembles.

Why we love this

Morales understands what makes a march work. Rather than simply reviving the Sousa tradition, he grafts contemporary harmonic language onto the essential DNA of the march form, creating something that sounds fresh without losing the ceremonial weight audiences expect. For Grade 3 bands eager to program substantial concert music beyond carnival circuits, this piece delivers both audience appeal and musical substance.

What to expect

Ceremonial and forward-looking at once. The piece honors march conventions with sturdy harmonic progressions and clear formal architecture, yet contemporary melodic contours and harmonic color prevent it from feeling nostalgic. Energy propels every section without requiring extreme tempo.

Who it's for

Grade 3 concert bands seeking substantial patriotic repertoire that respects audience tradition while offering modern compositional craft. This works equally well for educational ensembles building their festival libraries and community bands programming concert series.

How to get the most out of it

  • Balance the melodic interest across sections. The main theme passes between trumpet and woodwind voices, so coordinate dynamic support so each section lands the phrase cleanly without overshadowing the handoff.
  • Establish steady march tempo in early rehearsals and hold it firm. Morales' contemporary harmonic vocabulary can tempt conductors to slow down; resist that instinct and let the modern colors breathe within the march framework.
  • Highlight the countermelodies that distinguish this from traditional marches. The supporting lines contain the contemporary elements mentioned in the description, so rehearse those figures with the same precision you'd give to the primary theme.

How to use it

Program this as a concert centerpiece or festival selection where you need something substantial enough to anchor a set but accessible enough to schedule early in a performance slot. It pairs naturally with lighter character pieces or works that build on march traditions, making it ideal for patriotic concerts, holiday programs, or competitions where you want to demonstrate both musicality and crowd appeal.

Skills your students will build

  • Maintaining steady march tempo through harmonic color changes
  • Balancing thematic material across multiple sections
  • Executing contemporary harmonic language within traditional formal structures
  • Executing rhythmic precision in support figures and countermelodies
  • Dynamic shaping and phrasing within march idiom

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