March of the Finnish Infantry, Op. 91a Cover Image

March of the Finnish Infantry, Op. 91a: Full Orchestra, Conductor Score

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March of the Finnish Infantry, Op. 91a Cover Image

March of the Finnish Infantry, Op. 91a: Full Orchestra, Conductor Score

By Jean Sibelius

Item: 36-A545501

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Description
JEAN SIBELIUS (1865-1957) wrote TWO MARCHES under his Op. 91 between 1917 and 1918. Both served as military marches and were originally written for male chorus and piano before the composer orchestrated them. The first, Op. 91a is titled MARCH OF THE FINNISH INFANTRY (JÄÄKÄRIEN MARSSI; JÄGER MARCH), and it set text by Heikko Nurmio to music. The premiere took place on January 19, 1918, in Helsinki by the Akademiska sångföreningen with Olof Wallin conducting the choir and a brass septet. Instrumentation: 2.2.2+BCl.2: 4.3.3.0: Timp.Perc(2-3): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563083-1
ISBN13: 979-8-89-563083-9
UPC: 659859003146
SKU: 36-A545501
Instrumentation: 2.2.2+BCl.2: 4.3.3.0: Timp.Perc(2-3): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Jean Sibelius

Jean Sibelius (1865-1957) stands as Finland's most celebrated composer and a towering figure in early twentieth-century orchestral writing. His deeply nationalist works gave voice to Finnish identity during a period of political uncertainty, and his mastery of orchestration and symphonic form influenced generations of composers across Europe and America. Beyond his seven symphonies and tone poems, Sibelius wrote occasional works that served both artistic and civic purposes, including marches that embodied the spirit of his nation.

Why we love this

This march captures Sibelius at his most direct and accessible; it strips away the harmonic complexity of his symphonic works to deliver something muscular and memorable that orchestras at intermediate-to-advanced levels can execute with genuine impact. The brass writing is generous without being oversimplified, and the string textures give conductors real opportunities to shape the sound beyond mere note-playing. Programming a Sibelius march this straightforward next to a contemporary piece or a Romantic-era selection adds historical weight and national color to any concert without requiring Olympic technical prowess.

What to expect

Brisk, purposeful, and imbued with quiet strength, this march marches with the gait of soldiers rather than the swagger of pomp. The melodic lines have an almost hymnic quality despite their military context, and the orchestration balances military brass weight with the transparent brightness of woodwinds and strings, creating a sound that feels both patriotic and deeply human.

Who it's for

Conductors leading full orchestras at the intermediate-to-advanced level who want to program a genuine Sibelius work that rewards careful preparation without demanding championship-level virtuosity from every section. This score works equally well for youth orchestras, college ensembles, and community orchestras aiming to build confidence in players navigating a major twentieth-century voice.

How to get the most out of it

  • Balance the marchlike tread in the bass and timpani against the melodic material in horns and upper woodwinds; resist the temptation to let either layer disappear.
  • Attend to the brass section's rhythmic precision without sacrificing the underlying sweep of the line; clarity and forward motion are not the same thing.
  • Shape the dynamic contours through key harmonic moments rather than pushing everything toward a single climax; this march unfolds in waves.

How to use it

Pair this with works by other nationalist composers of the early twentieth century to explore how different cultures expressed identity through music. It also serves as an excellent opener or closer for a concert devoted to Nordic or Scandinavian composers, and its approachable length and character make it a natural fit for education-focused concerts or community presentations.

Skills your students will build

  • Reading orchestral scores with independent woodwind, brass, and string lines
  • Maintaining steady pulse and rhythmic precision in a march context
  • Balancing multiple simultaneous melodic or rhythmic layers
  • Understanding orchestration across a full orchestra from a conductor's perspective
  • Recognizing early twentieth-century compositional language and harmonic practice

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