March from <i>First Suite for Military Band</i> Cover Image

March from <i>First Suite for Military Band</i>: Concert Band Conductor Score & Parts

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March from <i>First Suite for Military Band</i> Cover Image

March from First Suite for Military Band: Concert Band Conductor Score & Parts

By Gustav Holst / arr. Michael Story

Grade: 1 (Very Easy)

Item: 00-35338

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Description
Gustav Holst's First Suite in E-flat for Military Band, one of the first pieces written exclusively for military bands, was composed in 1909. This arrangement is based on the second theme of the March, a very lyrical melody reminiscent of British folk music. This setting brings this cherished work to the stands of your beginners. A welcomed addition to the beginning band repertoire!

"The limited ranges and technical demands make this a good way to introduce students to this important work at an early age."
- The Instrumentalist

This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, March from First Suite for Military Band: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 130
ISBN10: 1-4706-5490-3
ISBN13: 978-1-4706-5490-0
UPC: 038081414409
SKU: 00-35338

More about this title

About the Composer: Gustav Holst

Gustav Holst (1874-1934) was an English composer whose work bridged the Romantic and modern eras. He studied at the Royal College of Music and became deeply involved in music education, serving as director of music at St. Paul's Girls' School for over 40 years. His commitment to developing young musicians shaped much of his compositional philosophy.

Holst's First Suite in E-flat for Military Band (1909) holds a unique place in wind band history as one of the first major concert works written specifically for military ensembles rather than adapted from orchestral scores. This pioneering piece established him as a champion of the military band medium and continues to anchor the standard repertoire.

Why we love this

Michael Story's arrangement captures the lyrical heart of Holst's masterwork while making it genuinely accessible to young players. Beginning bands often lack arrangements of genuine classics that sound substantial and musical without overwhelming inexperienced musicians, and this version solves that completely. Your students will play an actual masterwork rather than an imitation of one.

What to expect

The March unfolds with a gentle nobility rooted in English tradition. Its lyrical melody carries a folk-song quality that feels both timeless and immediately singable, moving with the warmth of a familiar tune rather than the virtuosity of a show piece. The overall character is stately but approachable, with orchestration that gives every section a moment to contribute.

Who it's for

This arrangement opens Holst's First Suite to beginning concert bands that might otherwise wait years before encountering it. Students playing at grade 1 level gain immediate access to a culturally significant work without the technical barriers of the original, making it ideal for elementary school bands, younger middle school ensembles, or any group new to concert band repertoire.

How to get the most out of it

  • Shape the melody with gentle dynamic shaping rather than treating it as a straight dynamic line; this folk-inspired tune rewards subtle phrasing that highlights its lyrical contour.
  • Balance the harmony parts carefully so the melody sings clearly without drowning out the inner voices that support it.
  • Let the piece breathe at natural musical phrases rather than pushing through from measure to measure; this brings out the British character of the original.
  • Secure rhythmic precision in the accompaniment figures early in rehearsal so your attention can shift to musical expression rather than technical maintenance.

How to use it

This works beautifully as an opening concert selection or as part of a "Classical Masterworks for Young Ensembles" programming theme. Pair it with other accessible arrangements or original works at similar difficulty levels to build student confidence and repertoire awareness. It also serves well in elementary school assemblies or community performances where families appreciate hearing recognizable musical language performed with genuine musicianship.

Skills your students will build

  • Playing sustained melodic lines with consistent tone quality
  • Reading concert band instrumentation and balance within sections
  • Responding to phrase structure and dynamic shaping in Romantic-era music
  • Maintaining accompaniment patterns while others carry the melody
  • Performing at a lyrical, moderate tempo with expressive control

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