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Marcato: String Orchestra Conductor Score

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Marcato: String Orchestra Conductor Score

By Vaclav Nelhybel

Grade: 2

Item: 36-10255248

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Description
Mr. Nelhybel said: 'The teaching element of this piece lies in the independence of all melodic lines, for it is this device that makes all instruments equally important.' The modal tonality gives the work an eastern European flavor that is emphasized when the ensemble demonstrates uniformity in bowing. This bowing should be dry and almost percussive to match the descriptive title. Equally important to the structure of this composition are the sudden changes in dynamics that give added variety to this unique creation.

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Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134177-3
ISBN13: 978-1-57-134177-8
UPC: 660355169953
SKU: 36-10255248
Instrumentation: String Orchestra

More about this title

About the Composer: Vaclav Nelhybel

Vaclav Nelhybel (1919-1996) was a Czech-American composer whose catalog spans orchestral, chamber, and educational works. He devoted significant energy to writing accessible pieces for developing musicians, understanding that young ensembles could tackle sophisticated musical concepts when the technical demands remained manageable.

Nelhybel's Eastern European heritage infused his compositions with modal harmonies and unconventional melodic structures that challenged student musicians to think beyond standard tonal practice. His philosophy prioritized musical independence within ensemble writing, ensuring that every player experienced meaningful material rather than filler parts.

Why we love this

This piece accomplishes the rare feat of being both pedagogically elegant and musically distinctive. Nelhybel's insistence that all instruments carry equally important melodic lines transforms a Grade 2 ensemble into a collaborative whole where no player can coast, while the modal harmonic language and crisp articulation style give young musicians a genuine window into 20th-century compositional thinking without overwhelming them technically.

What to expect

Marcato pulls the ear toward a landscape shaped by modal harmony and stark contrasts. The crisp, almost percussive attack of the string writing creates forward momentum despite frequent dynamic shifts, and the independence of each line gives the music an almost chamber-like intimacy even when the full ensemble sounds. There's an unsettling, energetic quality to this work that keeps players and listeners engaged.

Who it's for

String orchestras at Grade 2 level seeking repertoire with genuine musical substance and structural sophistication. Directors building ensembles that can balance technical accessibility with independent musicianship will find this piece an excellent teaching vehicle.

How to get the most out of it

  • Approach the bowing as percussive and deliberate; marcato articulation should feel almost staccato-like with a dry attack that avoids sustain.
  • Lock the dynamic shifts precisely across all sections. These sudden contrasts are structural, not incidental, so mark them clearly in all parts and rehearse them as ensemble events.
  • Drill the independence of melodic lines separately by section before combining. Each instrument must hear its own line as complete and sung, not as filler.
  • Emphasize uniform bowing across the violin and viola sections; synchronized bow strokes will amplify the Eastern European modal flavor and create the tonal coherence the piece demands.

How to use it

Program this alongside other contemporary or folk-influenced works to create a thematic concert exploring non-traditional harmonic language and international musical styles. Its focused duration and technical clarity make it an ideal centerpiece for a concert showcasing student musicianship, or a strong opener that demonstrates ensemble discipline.

Skills your students will build

  • Independent melodic line playing within ensemble texture
  • Precision bowing coordination and uniform articulation across sections
  • Reading and executing modal harmonic language
  • Dynamic contrast and sudden tempo/dynamic shifts
  • Balancing percussive marcato articulation with musical phrasing

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