Maoz Tzur: 2-Part Choral Octavo
Traditional Hebrew Song / arr. Matt Podd
Item: 00-PO-0006342
Minimum order quantity: 20 copies
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Description
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About the Arranger: Matt Podd

Matt Podd combines deep roots in jazz, gospel, and musical theatre with a gift for choral writing that speaks to contemporary ensembles. Based in New York City, he has arranged and orchestrated for artists ranging from Barbra Streisand to Gregory Porter, and his work has graced stages at Carnegie Hall, the Kennedy Center, and the White House. His collaborations span the Boston Pops, New York Pops, and National Symphony Orchestra, among many others.
Podd holds degrees from the Eastman School of Music and Ithaca College and frequently works in partnership with his twin brother Adam on musical projects including their band Mimi & the Podd Brothers. His arrangements and compositions reflect a fluency across multiple genres, bringing fresh perspectives to both traditional and contemporary material.
Why we love this
This arrangement strips away stuffiness without losing reverence. The contemporary piano groove gives singers permission to inhabit the familiar melody in a new way, and the part-to-part echoing on the second verse creates genuine musical dialogue rather than simple repetition. For choirs seeking Hanukkah repertoire that feels current and singable, this hits the mark.
What to expect
Gentle but grounded. The pop-influenced piano groove gives this sacred melody a warm, conversational quality that feels both timeless and present. Singers will recognize the cherished tune immediately, then discover how Podd's arrangement lets them inhabit it afresh.
Who it's for
Two-part choirs seeking accessible yet contemporary Hanukkah repertoire will find this arrangement engaging and achievable. It works equally well for school choirs, community ensembles, and church choirs wanting to honor tradition while embracing modern sounds.
How to get the most out of it
- Keep the piano groove steady and relaxed; it anchors the arrangement's modern sensibility and gives singers the harmonic foundation they need to lock into the melody.
- Shape the elongated melody on the second verse with care. The stretched phrases ask singers to sustain tone quality across longer lines and to track the part-to-part echo with precision.
- Use the Hebrew pronunciation guide to support clear diction. Even singers unfamiliar with Hebrew will gain confidence when the sounds are mapped out.
- Let the contrast between verse one and verse two breathe. The first pass should feel straightforward; the second builds excitement through the expanded melody and echo texture.
How to use it
Pair this with other Hanukkah selections for a themed concert, or place it as a bridge piece between more formal repertoire to shift the evening's energy. Its accessible two-part voicing and contemporary sound make it ideal for concerts that celebrate cultural traditions while showcasing modern choral writing.
Skills your students will build
- Singing sustained phrases across longer melodic lines
- Tracking echo and imitation between vocal parts
- Executing Hebrew pronunciation with accuracy and intention
- Responding to contemporary harmonic language and groove-based accompaniment
- Balancing reverence with stylistic freshness in traditional material