Making Christmas (from The Nightmare Before Christmas) (arr. Mark Brymer) Sheet Music Preview

Making Christmas (from The Nightmare Before Christmas) (arr. Mark Brymer): SSA Choral Octavo

As performed by Pentatonix / Arranged by Mark Brymer

Item: 35-DS00437359

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00437359

More about this title

About the Artist: Pentatonix

Pentatonix is an American a cappella group that has brought contemporary vocal music into mainstream culture since their 2011 formation. Known for intricate vocal arrangements, tight harmonies, and genre-spanning interpretations, the ensemble has earned multiple Grammy Awards and built a devoted following through social media and live performance. Their work demonstrates how skilled vocal arranging can transform pop and holiday material into sophisticated choral repertoire.

For music educators, Pentatonix represents a bridge between what students hear on streaming platforms and what they can actually sing in rehearsal. Their arrangements prioritize accessibility without sacrificing musicality, making them invaluable for engaging singers who might otherwise dismiss choral music as disconnected from contemporary culture.

Why we love this

Mark Brymer's arrangement captures the theatrical charm and intricate layering that define Pentatonix's sound while remaining genuinely singable by school choirs. The SSA voicing opens this arrangement to younger and less experienced singers without dumbing down the harmonic sophistication or the song's distinctive character. Programming this during the winter season gives your ensemble a contemporary performance that feels current while honoring a modern classic.

What to expect

Whimsical and theatrical, this arrangement draws listeners into the distinctive world of Tim Burton's "The Nightmare Before Christmas" while maintaining the sparkling, rhythmically complex energy that Pentatonix brought to the original. The a cappella texture creates an intimate, modern sound that feels both polished and playful, inviting audiences into a performance that's genuinely fun to sing.

Who it's for

Any choir director seeking contemporary holiday repertoire that connects with singers and audiences alike. This works equally well for high school choirs, middle school advanced ensembles, and community or collegiate groups looking to refresh their winter concert programming with something current and engaging.

How to get the most out of it

  • Isolate the vocal percussion parts in early rehearsals. Train your singers to think of these rhythmic layers as instrumental accompaniment, which helps blend the non-pitched sounds into the overall texture rather than having them feel like afterthoughts.
  • Balance the melody across your soprano section rather than concentrating it in one voice part. This creates a fuller, more blended sound and distributes the vocal demand across the section.
  • Record rehearsal sections and listen back as an ensemble. Hearing your own voicing choices helps singers understand how their part functions within the a cappella texture.
  • Emphasize the rhythmic precision between parts. A cappella music lives and dies by rhythmic clarity, especially in contemporary pop arrangements where slight timing shifts become immediately obvious.

How to use it

Place this as an anchor for a holiday concert set or slot it alongside other contemporary choral music to demonstrate your ensemble's range. The theatrical nature and contemporary appeal make it ideal for freshman or early-in-season performances where you want to capture student and audience attention with something fresh, building anticipation for more traditional holiday selections later in the program.

Skills your students will build

  • Reading and executing vocal percussion notation
  • Balancing melody and harmony in a cappella texture
  • Maintaining rhythmic independence between voice parts
  • Singing contemporary pop idioms with choral polish
  • Ensemble blend and intonation without instrumental support

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