Makin' Whoopee! Sheet Music Preview

Makin' Whoopee!: Piano Vocal

As performed by Harry Nilsson

Item: 35-DS00197119

Digital Download
$5.99
Description

Makin' Whoopee!: Piano Vocal isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00197119

More about this title

About the Artist: Harry Nilsson

Harry Nilsson (1941–1994) was a songwriter and vocalist who moved fluidly between pop sensibility and sophisticated musical storytelling. His interpretations of standards and original compositions revealed a deep respect for the Great American Songbook even as he bent genre conventions to suit his idiosyncratic artistry. In the classroom and rehearsal studio, his work serves as a bridge between jazz tradition and contemporary popular music.

Why we love this

Nilsson's take on this Gershwin and Caesar standard strips away any stuffiness and invites genuine emotional vulnerability. The vocal line sits comfortably for singers working in the jazz/pop crossover space, and the piano part accommodates both intimate solo performance and ensemble settings without demanding virtuosic technique.

What to expect

Sophisticated and slightly world-weary, with moments of genuine tenderness breaking through the surface charm. The arrangement respects the song's vintage roots while honoring Nilsson's somewhat detached, knowing delivery.

Who it's for

Vocalists developing interpretation skills in the jazz and standards repertoire, and pianists seeking five-page arrangements that work equally well for solo performance or backing singers in small ensembles. This score suits intermediate to advanced students who are comfortable with swing feels and jazz harmony.

How to get the most out of it

  • Shape the melody with conversational phrasing rather than operatic weight; let the lyrics and their wry humor guide your dynamics
  • Balance the piano accompaniment so it supports rather than overwhelms the vocal line in softer sections
  • Explore rubato in the early phrases to establish an intimate mood before settling into a steady groove

How to use it

Feature this in a jazz standards set during a winter or spring concert, or pair it with other 1920s-era compositions for a program exploring how different eras approach the same classic material. It also serves well as a solo vehicle for an advanced student vocalist or as a teaching piece for understanding swing style and jazz accompaniment.

Skills your students will build

  • Swing rhythm and jazz phrasing
  • Interpreting standards with personal artistry
  • Reading and comping jazz harmony
  • Balancing vocal and instrumental voices in arrangement

You May Also Like