Makin' Whoopee: 1st B-flat Trumpet

Dave Wolpe's arrangement solves a real programming problem: finding a bass trombone feature that showcases the instrument without relying on improvisation. The written-out melody keeps the focus on tone and phrasing while the surrounding voicings (particularly the second trumpet harmony mute and sax soli) create a feature that feels complete and ensemble-focused rather than soloist-dependent. At Grade 4, it's ambitious enough to engage your advanced players but constructed with enough clarity that ensemble precision is achievable with solid preparation.

Warm and slightly sophisticated, with a medium-swing bounce that keeps things grounded rather than frantic. The bass trombone melody has an almost singing quality, and the arrangement's use of harmony mutes and sax soli layers in color without sacrificing clarity. This is a chart that sounds mature and considered rather than flashy.

This is essential repertoire for jazz ensemble directors with a strong bass trombone section. The arrangement values all players in the ensemble while creating a genuine moment for an often-neglected voice to shine. Trumpets, saxophones, and the rhythm section will also find rewarding parts that demand ensemble precision and jazz vocabulary.

• Lock the medium-swing feel in the rhythm section before rehearsing the horns. The groove sits on the pocket rather than rushing, and a relaxed time feel makes the written melodic lines sit naturally.
• Isolate the bass trombone and trumpet unison passages to confirm secure intonation, since both players are exposed on the main melody line.
• Have the second trumpet with harmony mute rehearse separately from the lead trumpet. The written jazz harmony requires tight voicing and articulation clarity to cut through without overshadowing the primary melody.
• Balance the sax soli section by having that section rehearse with the full ensemble at least once before the final run-through; the sweetness of the soli should be prominent but not overwhelming in the overall mix.

Program this as a concert centerpiece rather than a novelty feature. Its 3:23 length and substantial scoring make it a legitimate showcase piece that holds its own alongside your more traditional jazz repertoire. It also pairs well with other swing-era standards or can anchor a set that explores the Great American Songbook through a jazz lens.

• Medium-swing articulation and phrasing on written melody lines
• Ensemble blend and voicing within four-part harmony (trumpet section and sax section work)
• Jazz interpretation of a standard without relying on improvisation
• Balanced dynamics between featured soloist and supporting ensemble sections
• Precision intonation in unison and close-harmony passages