Make Your Own Kind Of Music (arr. Audrey Snyder) Sheet Music Preview

Make Your Own Kind Of Music (arr. Audrey Snyder): 2-Part Choral Octavo

As performed by Mama Cass Elliot / Arranged by Audrey Snyder

Item: 35-DS01740825

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS01740825

More about this title

About the Artist: Mama Cass Elliot

Mama Cass Elliot was the powerhouse vocalist and percussionist of The Mamas and the Papas, one of the defining voices of 1960s pop and rock. Her rich, soulful contralto and distinctive vibrato made her instantly recognizable across the group's catalog of harmonically sophisticated hits. Beyond her work with the band, Elliot pursued a solo career and became known for her warmth as a performer and her commitment to the emotional core of every song she sang.

As a solo artist, Elliot recorded "Make Your Own Kind of Music" in 1969, a song that became an anthem of self-acceptance and creative individuality. The track showcases her ability to convey genuine encouragement through melody and phrasing, making it a natural fit for choral settings where ensemble singing itself becomes a statement of personal expression.

Why we love this

Audrey Snyder's arrangement captures the song's core message of acceptance and authenticity while keeping the vocal writing singable and engaging for young singers. The 2-part texture builds beautiful harmonic layers without overwhelming developing voices, and the positive, anthem-like quality gives your singers permission to make music on their own terms. It's the kind of piece that lands emotionally in a concert while teaching solid harmonic concepts.

What to expect

Warm, encouraging, and buoyant. The song wraps listeners in a gentle affirmation that comes across as genuine rather than saccharine. Singing it together creates a moment of collective permission and joy, with harmonies that feel supportive rather than competitive.

Who it's for

This arrangement works for middle school through high school choirs seeking uplifting pop repertoire that carries real lyrical meaning. It's ideal for groups ready to tackle two-part harmony with character and for singers who respond to songs with a message of self-worth and creative freedom.

How to get the most out of it

  • Shape the melody with genuine warmth rather than belting; this song lives in connection, not volume. Let the singers find their natural vibrato as they settle into longer phrases.
  • Balance the two parts by ear during rehearsals. The arrangement likely carries thematic material in one voice while the other provides harmonic support, so make sure the melody sings through cleanly.
  • Ground the piece in a comfortable key for your ensemble. If the published key sits high, transposing down by a step or two will let singers access more resonance and authenticity in their sound.
  • Use the accompaniment to establish groove and pocket; this is pop music at heart, so rhythmic precision and a steady pulse matter more than classical rubato.

How to use it

Pair this with other pop or rock standards to build a concert set around themes of identity and belonging. It also serves as a natural opener or closer for a program because of its welcoming, inclusive message. Consider programming it when you want to showcase your singers' ability to blend and phrase with maturity in a contemporary style.

Skills your students will build

  • Singing two-part harmony with textural awareness
  • Phrasing and breath management in pop idiom
  • Balancing melody and harmony within an ensemble
  • Finding authentic expression in a rhythmically driven arrangement

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