Make Me Smile Sheet Music Preview

Make Me Smile: Jazz Ensemble Conductor Score & Parts

By James Pankow / As performed by Chicago / Arranged by John Wasson

Grade: 4

Item: 35-PK00227907

Digital Download
$55.00

Parts Added to Cart!

Description
One of first tunes to put the group Chicago on the map was this early rocker from 1970. John Wasson stays true to the original in this outstanding version for jazz ensemble that features solos for alto sax, guitar, and all the signature horn licks.

Make Me Smile: Jazz Ensemble Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
SKU: 35-PK00227907

More about this title

About the Composer: James Pankow

James Pankow is the trombonist and primary composer behind Chicago's signature sound. His writing shaped the band's early identity, blending rock energy with horn-driven arrangements that made them one of the defining acts of the 1970s. Pankow's ability to craft memorable melodic lines within a jazz-rock framework has made his compositions enduring teaching tools in ensemble settings.

Why we love this

Wasson's arrangement captures the infectious groove and brass swagger of the original while building in solo space that lets your saxophonist and guitarist shine. The horn licks are instantly recognizable and sit beautifully in the ensemble, making this a crowd pleaser that students genuinely want to play.

What to expect

Bright, energetic, and built for forward momentum. The piece swings with a pop sensibility and radiates the optimistic rock spirit of early 1970s Chicago, making it feel celebratory in any concert setting.

Who it's for

Grade 4 jazz ensembles with solid fundamentals and a guitarist who can handle comping. This works equally well for groups eager to play recognizable hits and for programs looking to teach jazz-rock history through direct engagement with the source material.

How to get the most out of it

  • Balance the horn sections carefully during tutti passages so the arrangement stays punchy rather than muddy. The original's clarity depends on crisp attacks and separation between brass voices.
  • Give your soloists room to breathe and stretch their phrasing. The alto sax and guitar solos benefit from laid-back feel rather than strict metronomic time.
  • Lock the rhythm section (bass, drums, guitar) early in rehearsal. A tight foundation lets the horns play with confidence and allows soloists to interact more freely.

How to use it

Program this for spring concerts or pops shows where you want immediate audience connection. It pairs naturally with other classic rock-influenced jazz pieces and serves as an accessible entry point for ensemble members encountering the Chicago sound for the first time.

Skills your students will build

  • Reading and executing rhythmic figures that merge swing articulation with rock precision
  • Balancing solo and ensemble roles within a rock-influenced harmonic framework
  • Maintaining groove and time feel across ensemble transitions and sectional changes
  • Interpreting brass licks with style and cohesion across multiple voices

You May Also Like