Make Me A Channel Of Your Peace Sheet Music Preview

Make Me A Channel Of Your Peace: 2-Part Choral Octavo

By Sebastian Temple / Arranged by Jane Holstein

Item: 35-DS00433568

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00433568

More about this title

About the Composer: Sebastian Temple

Sebastian Temple composed "Make Me A Channel Of Your Peace" during a fertile period of contemporary sacred music creation. His setting of this prayer text became widely performed in churches, schools, and choral festivals, establishing itself as a staple of accessible liturgical repertoire. Temple's gift for creating music that serves both spiritual intention and musical substance has made his works enduring choices for musicians seeking material with genuine devotional depth.

Why we love this

The arrangement by Jane Holstein captures what makes this composition resonate across so many settings: a melody that feels both singable and noble, paired with harmonic writing that supports rather than burdens young voices. The 2-part voicing opens this beloved piece to choirs still developing their blend and intonation, while the text itself offers singers something meaningful to serve musically.

What to expect

Reflective and grounded, this setting invites singers into genuine prayer rather than performance. The harmonic language is direct and accessible without feeling simplistic; the melody unfolds with quiet dignity, supported by writing that feels both honest and spiritually purposeful.

Who it's for

This arrangement serves choirs with developing singers who benefit from straightforward part writing and meaningful text. It works equally well in youth choirs, middle school ensembles, sacred music programs, and intergenerational community choirs exploring contemporary liturgical song.

How to get the most out of it

  • Shape the melody with purposeful phrasing rather than beat-by-beat dynamics; the text carries its own natural arc without constant swelling and softening
  • Establish a warm, sustained tone quality from the first phrase so the piece feels contemplative rather than hurried, even at moderate tempos
  • Balance the two parts so neither dominates; this works best when both lines feel equally important and present

How to use it

Pair this with other contemporary sacred works to create a service music segment that speaks to modern congregations and choirs alike. It serves as an excellent teaching piece for exploring how accessible harmonies and focused text setting create musical substance without technical complexity. Consider programming it in contexts where singers and listeners both need musical space for reflection.

Skills your students will build

  • Sustaining lyrical lines through text-appropriate phrasing
  • Balancing two-part writing with clear yet blended tone quality
  • Connecting musical interpretation to liturgical or devotional meaning
  • Reading and performing contemporary sacred music with authentic expression

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