Make a Little Music: 2-Part Choral Octavo
Words and music by Andy Beck
Item: 00-PO-0007069
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About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has established himself as one of the most performed contemporary choral composers in America. His catalog exceeds 450 published works spanning secular and sacred repertoire, children's musicals, and instructional resources. His compositions appear regularly in YouTube searches performed by school choirs, honor ensembles, and community groups across the globe.
Beyond his writing, Beck maintains an active career as a guest conductor, choreographer, and clinician for music educators nationwide. He holds a Bachelor's degree in Music Education from Ithaca College and a Master's degree from Northwest Missouri State University. A trained tenor who has performed in musical theatre and sung with the North Carolina Master Chorale since 1992, Beck brings a performer's sensibility to every score he creates.
Why we love this
This piece delivers the energy and audience connection that opens festivals and concert series well. The gospel-influenced harmonies and stacked vocal textures create a full, sophisticated sound from just two parts, while the body percussion section gives singers an active role in the arrangement and breaks up any monotony in staging or sound. Free ChoreoTrax access removes the choreography barrier that often keeps directors from programming pieces with movement.
What to expect
This is music that builds momentum from the first measure. The gospel harmonies and rhythmic drive pull singers and audiences into the performance immediately, while the body percussion breakdown creates a moment of physical joy and shared energy. By the final modulation, the layered voices and roaring accompaniment create an almost irresistible surge that leaves both stage and seats buzzing.
Who it's for
Middle school through adult choirs looking for an energetic opener or closer that combines musical substance with crowd-pleasing appeal. The accessible 2-part voicing works for mixed ensembles with beginning sight-readers while the sophisticated harmonic language keeps experienced singers engaged.
How to get the most out of it
- Drill the body percussion breakdown as a separate unit first. Let singers hear how their claps and stomps lock into the texture before layering vocal lines over the rhythm.
- Lift the air on each upward modulation to help singers feel the key change physically. Small breath catches before the new section will make the modulation land cleanly without straining.
- Balance the layered vocal stack so the lower voices anchor the progression while the melody floats above. Record a quick rehearsal run-through to hear where blend gets muddy.
- Use the recorded accompaniment to lock the gospel feel and backbeat consistency, especially during the body percussion sections where precise ensemble timing matters most.
How to use it
Program this as a concert or festival opener to establish energy and engagement from the start. Its contest appeal, movement integration, and recorded accompaniment also make it a strong choice for honor choir festivals or special events where you want students to experience high-impact modern choral writing. The 12-page score and manageable 2-part texture allow rehearsal time for choreography without demanding weeks of preparation.
Skills your students will build
- Reading gospel-influenced harmonic progressions and voice leading
- Singing and coordinating body percussion (clapping, stomping) within a vocal ensemble
- Executing upward key modulations and maintaining pitch accuracy through harmonic changes
- Balancing multiple vocal layers and understanding how harmony sits within a chordal texture
- Interpreting style-specific inflection and rhythm in contemporary secular choral writing