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Maiden Voyage Guitar Voicings: Guitar Book & Online Audio

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Maiden Voyage Guitar Voicings Cover Image

Maiden Voyage Guitar Voicings: Guitar Book & Online Audio

Mike Di Liddo's Guitar Comping Companion to the Aebersold Volume 54 Play-A-Long

By Mike DiLiddo

Level: Beginning/Intermediate

Item: 24-MVG

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Description
Contains written and recorded guitar accompaniment to the entire Volume 54: Maiden Voyage audio. This long awaited book includes easy-to-read music, chord symbols, and guitar frames above each example for the non-reading guitarist. Also included is audio of Mike playing the voicings with the Maiden Voyage play-along. Special audio stereo separation allows you to eliminate the guitarist and sit in with just the bass and drums. These voicings are real world authentic chord voicings, not simplified sterile examples. It's a great opportunity to not only learn great jazz voicings, but to see how these voicings can be used to navigate blues, rhythm, and great standards. Band directors will love this one because now all members of the rhythm section can practice their comping with this world famous play-along (a book for pianists, drummers, and bassists are also available).

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Additional Details
Publisher: Jamey Aebersold Jazz
Page Count: 88
ISBN10: 1-56224-088-9
ISBN13: 978-1-56224-088-2
UPC: 635621500976
SKU: 24-MVG

More about this title

About the Author: Mike DiLiddo

Mike DiLiddo is a guitarist and jazz educator recognized for his work developing practical jazz pedagogy materials. His approach emphasizes real-world voicings and comping techniques drawn from working jazz contexts rather than theoretical abstractions.

Why we love this

This book solves a genuine problem: guitarists finally have a structured resource for learning authentic chord voicings alongside a professional rhythm section. The stereo separation feature lets rhythm section members practice comping together, making it invaluable for ensemble rehearsal and sectional preparation.

What to expect

Grounded and swinging. These voicings sit naturally in the mix without dominating the sound; they comp smoothly behind the melody while leaving room for the bass and drums to anchor the pocket.

Who it's for

Guitarists at the beginning to intermediate level who want to build a jazz vocabulary grounded in actual playing situations. Rhythm section directors and band teachers will appreciate having a coordinated resource where pianists, drummers, and bassists can all work through the same harmonic material.

How to get the most out of it

  • Start without the guitar track; listen to how bass and drums sit underneath the melody, then add your voicings in once you feel the groove.
  • Study the guitar frames alongside the staff notation to internalize the shapes; this dual representation helps both reading and muscle memory develop faster.
  • Isolate individual examples and loop them until the voicing feels effortless, then move to the next one rather than rushing through the book.

How to use it

Assign this as a parallel text when teaching jazz standards or blues forms to your ensemble. Have your guitarist work through the voicings while your rhythm section uses their own Maiden Voyage books, then bring them together for cohesive sectional rehearsals.

Skills your students will build

  • Reading guitar notation alongside chord frames and symbols
  • Voicing jazz chords authentically in different positions on the neck
  • Comping rhythmically within a groove and behind a soloist
  • Navigating chord changes across blues, standards, and rhythm changes
  • Listening and locking in with bass and drums in real time

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