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Magic Suite: Piano Book

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Magic Suite: Piano Book

By Judith R. Strickland

Item: 98-FJH1456

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Description
In this "mostly minor" collection of ten enchanting solo piano pieces, students will be taken on a spirited adventure into the world of Aladdin. These pieces offer varying moods of mystery and magic within a wide range of compositional textures, an array of melodic and harmonic configurations, along with a variety of articulations and dynamics.

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Additional Details
Series: Composers in Focus
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-409-1
ISBN13: 978-1-56-939409-0
UPC: 674398215386
SKU: 98-FJH1456

More about this title

About the Composer: Judith R. Strickland

Judith R. Strickland has established herself as a composer deeply committed to creating accessible yet musically substantial works for young pianists. Her output spans educational collections that balance technical exploration with genuine musical storytelling, demonstrating an understanding of what engages developing musicians.

Why we love this

These ten pieces arrive with a clear compositional voice and thematic cohesion that transforms a collection into an experience rather than a pile of etudes. Strickland's commitment to minor tonalities throughout gives the suite a distinctive character that stands apart from the typical major-key beginner repertoire, and the Aladdin narrative thread makes this compelling material for students who respond to storytelling and atmosphere.

What to expect

A journey through shadowed palaces and shimmering mysteries. The minor tonalities create an introspective quality, even at moments of excitement; these are intimate explorations of magic rather than grand spectacles. Students will encounter moments of delicate mystery alongside passages of rhythmic energy and harmonic richness.

Who it's for

Intermediate and early intermediate pianists ready to move beyond single-line melodies into more layered textures and modal thinking. This collection serves students who benefit from narrative and thematic structure, and who are developing independence in both hands.

How to get the most out of it

  • Explore the minor tonalities as a feature, not a limitation. Let students hear how Strickland uses different minor modes and harmonic colorings to shift the emotional landscape across the ten pieces.
  • Pay close attention to the articulation markings. The variety in touch and attack is central to how these pieces convey their different moods; treating every staccato, legato, and accent as structural rather than decorative will deepen the musical effect.
  • Use the harmonic and textural variety as a springboard for improvisation. Once students are secure in a piece, invite them to create their own variations using the same harmonic framework or to compose a bridge section between two movements.

How to use it

Build a student recital around this suite, either as a complete arc or by spacing individual pieces throughout the program to create thematic bookends. These pieces also work beautifully in a unit focused on storytelling through music or as part of a curriculum exploring non-major tonalities.

Skills your students will build

  • Reading and executing varied articulations and dynamic shaping in minor tonalities
  • Balancing independent hand parts with differing rhythmic and textural responsibilities
  • Harmonic awareness through exploration of minor modes and extended harmonic language
  • Interpretation of mood and character through touch, tempo flexibility, and emotional phrasing
  • Sustaining musical focus across a longer thematic narrative

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