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Madrigals for Treble Voices: SSA & SSAA Choral Book

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Madrigals for Treble Voices: SSA & SSAA Choral Book

Ed. & arr. Don Malin

Item: 00-64355

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Description
This collection attempts to provide repertoire for treble-voice groups who desire to sing madrigals. Although a great wealth of madrigal literature exists for mixed voices, some attention has therefore been given to the text of each selection in order to make it more appropriate for feminine choruses. Titles include: It Was a Lover and His Lass * Let All Who Sing Be Merry * Maidens Fair of Mantua's City * The Messenger of Love * Now Is the Month of Maying * The Silver Swan and more.

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Additional Details
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7692-4390-8
ISBN13: 978-0-7692-4390-0
UPC: 029156169607
SKU: 00-64355

More about this title

Why we love this

Malin has solved a real repertoire gap by curating madrigals that were actually written with treble voices in mind or thoughtfully adapted to suit them. Rather than forcing mixed-voice settings onto your singers, you get selections where the text and tessitura feel natural for SSA and SSAA ensembles. This collection lets treble choirs access a genre that's usually dominated by SATB literature.

What to expect

Bright, witty, and intimate. These madrigals dance through themes of love, springtime, and merriment with playful text-painting and conversational harmonic shifts that keep singers engaged and audiences delighted. The form feels both accessible and sophisticated.

Who it's for

Treble choirs seeking repertoire beyond sacred literature, treble ensemble directors looking to build confidence with early vocal music, and advanced high school or college-level treble singers ready to tackle text-painting and part independence.

How to get the most out of it

  • Balance the inner parts carefully in SSAA settings, where the second soprano and alto lines can easily disappear beneath the soprano melody. Use sectional rehearsals to ensure each voice hears its harmonic role.
  • Shape phrases with attention to text meaning rather than vocal comfort. Madrigals reward clear diction and intentional phrasing that brings the poetry to life.
  • Explore the possibilities of divisi passages without overcomplicating them. Let singers feel the expansion of harmony without sacrificing blend.
  • Experiment with lighter, more transparent tone production than you might use for sacred choral literature. Madrigals benefit from clarity and agility over warmth.

How to use it

Build a treble-voice recital entirely from this collection, or cherry-pick pieces to contrast with your group's sacred programming. Several selections work well in concert pairings exploring love and nature across different centuries.

Skills your students will build

  • Reading and performing SSA and SSAA voicings with clear part independence
  • Executing text-painting and harmonic shifts that emphasize poetic meaning
  • Singing with lighter tone and greater articulation than choral singers often use
  • Balancing transparency with blend in secular, non-liturgical contexts
  • Understanding madrigal form and its conversational harmonic language

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