Madrid: Drum Set
By Erik Morales
Grade: 4
Item: 98-PC-DJE4108_DS
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About the Composer: Erik Morales

Erik Morales brings a composer's command of melody and harmony to an unusually broad range of musical styles. Born in New York City in 1966, he has published over 150 works spanning classical, jazz, commercial, and educational music for wind, orchestral, chamber, and jazz ensembles that have been performed worldwide. His work balances artistic integrity with pedagogical purpose, a philosophy shaped by his studies at Florida International University and the University of Louisiana, Lafayette (completed 1989).
Moreover, Morales has become a significant voice in trumpet literature, earning first-place performances at the 2006 and 2008 National Trumpet Competitions and premiering his Concerto for Trumpet in C and Piano at the 2009 International Trumpet Guild conference. He was inducted into the Louisiana Association for Jazz Education's Hall of Fame in 2016 and continues to receive commissions from schools and organizations across the country, with his published works first reaching global audiences in 2002.
Why we love this
Morales writes Latin jazz with genuine sectional independence. Every section gets a moment to solo or shine, which means your ensemble stays engaged throughout rehearsal and performance, and your soloists get meaningful features without the piece becoming a parade of unrelated solos. The arc from modern jazz into full Latin rock finale gives the arrangement genuine dramatic momentum and a strong finish that audiences remember.
What to expect
Madrid captures the sophistication of classic Latin jazz orchestration while injecting modern harmonic and melodic sensibilities throughout. The writing glows with fiery rhythm section grooves, warm brass harmonies, and energetic ensemble passages that build to a climactic Latin rock finish, leaving performers and audiences equally charged.
Who it's for
Jazz ensemble directors who want a contemporary Latin big band chart that keeps all sections engaged and gives meaningful solo space to multiple players. Grade 4 ensembles with solid fundamentals in ensemble blend and jazz phrasing will find this piece musically rewarding and accessible to learn.
How to get the most out of it
- Lock the clave rhythm early in rehearsal before layering ensemble parts; establish that foundation in the rhythm section first, then build the horns around it.
- Balance the section features so the melody remains audible even when backgrounds are busy; grade your dynamic layers during those tutti passages in the middle.
- Prepare the tempo and feel shift to Latin rock at the end as a distinct moment, not just a tempo bump. Rehearse that transition in isolation until the rhythm section owns the new groove completely.
- Let the individual solos breathe with light ensemble accompaniment rather than full backgrounds. The piece is about featured players, so make sure ensemble parts support rather than compete.
How to use it
Program this late in a jazz concert as a high-energy closer that showcases your ensemble's rhythmic precision and soloistic depth. It also pairs naturally with other contemporary big band charts at similar difficulty levels, allowing you to build a themed set around Latin jazz repertoire.
Skills your students will build
- Reading and executing clave-based Latin rhythms across all sections
- Navigating tempo and feel changes (jazz swing to Latin rock)
- Balancing ensemble backgrounds with featured soloists
- Articulation and phrasing in Latin jazz idiom
- Sectional independence while maintaining ensemble cohesion