Madama Butterfly: Act II, Sc. 1, Finale: Flower Duet & Humming Chorus Cover Image

Madama Butterfly: Act II, Sc. 1, Finale: Flower Duet & Humming Chorus: Serious Opera, Orchestra Accompaniment, Conductor Score & Parts

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Madama Butterfly: Act II, Sc. 1, Finale: Flower Duet & Humming Chorus Cover Image

Madama Butterfly: Act II, Sc. 1, Finale: Flower Duet & Humming Chorus: Serious Opera, Orchestra Accompaniment, Conductor Score & Parts

By Giacomo Puccini/ Libretto by Luigi Illica and Giuseppe Giacosa, based on the short story "Madame Butterfly" (1898) by John Luther Long

Item: 36-A563202

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MADAMA BUTTERFLY, one of the most popular operas of Giacomo Puccini (1858-1924), is the story of the conflicting expectations of Lieutenant Pinkerton, an American naval officer, and Madame Butterfly (Cio-Cio San), who marry while Pinkerton is stationed in Nagasaki. Pinkerton intends to divorce Butterfly when he returns to the United States, but she believes that the marriage will last forever. When Pinkerton returns to Japan with his new wife Kate, Butterfly commits seppuku with her father's knife after placing an American flag in the hand of her son. The original premiere of a version in two acts on February 17, 1904 at La Scala in Milan was a disaster, resulting in Puccini withdrawing that version and substantially rewriting the opera. The second version was in three acts, and it premiered on May 28, 1904 in Brescia to much greater success. In 1906 and 1907, Puccini created a third and fourth version for the Metropolitan Opera in New York and for Paris respectively. Finally, again in 1907, Puccini made the final revisions to the opera for a fifth version, and this is the one most often performed today, referred to as the "Standard Version." In Act 2, Butterfly and Suzuki sing the FLOWER DUET as they decorate the house in anticipation of Pinkerton's return. The act concludes with the celebrated HUMMING CHORUS. Instrumentation: 3(3rd d. Picc).2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp.Perc(3): Hp: Str (4.4.3.3.3 in set): Va-offstage: Soli S.MS: Women's Chor.

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Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
UPC: 612735847142
SKU: 36-A563202
Instrumentation: 3(3rd d. Picc).2+EH.2+BCl.2: 4.3.3+BTbn.0: Timp.Perc(3): Hp: Str (4.4.3.3.3 in set): Va-offstage: Soli S.MS: Women's Chor

More about this title

About the Composer: Giacomo Puccini

Giacomo Puccini (1858-1924) stands among the most frequently performed opera composers in the world, known for crafting emotionally direct works that grip audiences through melody, orchestration, and dramatic clarity. His operas prioritize vocal lyricism and human connection over abstract musical complexity, making them accessible to singers and listeners alike while remaining musically sophisticated. Puccini's gift for orchestral color and his ability to capture intimate moments alongside grand spectacle established a model for opera that continues to dominate concert halls and training programs more than a century after his death.

Why we love this

This excerpt delivers two of opera's most beloved moments in a single rehearsal package: the intimate Flower Duet showcasing soprano and mezzo-soprano voices in genuine musical conversation, followed by the Humming Chorus, which creates an unforgettable theatrical effect that never fails with audiences. The emotional arc is immediate and powerful, making it ideal for concert programming, opera scenes competitions, or introducing singers to the emotional core of Puccini's writing. The full orchestral accompaniment allows conductors to develop ensemble cohesion alongside soloists in a repertoire that matters.

What to expect

The Flower Duet unfolds as intimate conversation wrapped in lush orchestral warmth; two women preparing for a long-awaited reunion, their voices intertwining with genuine affection and nervous anticipation. The Humming Chorus that follows suspends time itself, transforming the orchestra and offstage ensemble into a shimmering, almost ethereal presence while the stage action continues in silence. Together, these moments create a profound shift in emotional temperature, moving from personal hope to something vast and dreamlike.

Who it's for

Opera conductors and music directors programming soprano-mezzo duets, opera scenes competitions, and concert performances that require full orchestral accompaniment. Soprano and mezzo-soprano soloists seeking substantial repertoire that demonstrates vocal maturity, musical partnership, and dramatic presence. Programs and training ensembles with access to strings, woodwinds, brass, harp, and a women's chorus.

How to get the most out of it

  • Balance the offstage viola part carefully; it should create atmospheric color without overwhelming the women's chorus. Rehearse the chorus separately to establish that distinctive humming sound before integrating with the orchestra.
  • In the Flower Duet, maintain clear textural separation between the two soloists and the accompaniment. Puccini writes generous orchestral support, but the voices must carry the emotional weight. Coach singers to phrase across the accompaniment rather than landing on orchestral accents.
  • The Humming Chorus demands precise ensemble work from the chorus. The sound must be unified in tone, vibrato, and breath placement. Experiment with whether singers hum with closed lips or with a slight 'ng' resonance to find the warmth Puccini intends.
  • Shape the orchestral climaxes deliberately. This music builds through accumulation rather than sudden dynamic shifts. Conductor precision on entrance cues and gradual swell points will keep the momentum organic and emotionally resonant.

How to use it

Program this excerpt in an all-Puccini concert to showcase his mastery of both intimate vocal writing and large-scale orchestral texture in a single package. Include it in an opera gala or scenes concert to anchor the second half with music audiences recognize and love. For university opera programs, use it as a capstone performance for advanced soprano and mezzo students, pairing it with coaching on Puccini's specific legit vocal demands and his approach to lyric soprano and mezzo-soprano collaboration.

Skills your students will build

  • Sustained legit soprano and mezzo-soprano singing across an extended duet with dynamic variation
  • Collaborative vocal balance and dialogue in a two-voice ensemble
  • Phrasing across Puccini's orchestral accompaniment without losing vocal line clarity
  • Ensemble precision and unified vocal tone in choral humming technique
  • Conducting operatic ensemble coordination across soloists, chorus, and full orchestra with offstage ensemble elements
  • Dramatic timing and character expression within an operatic theatrical framework

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