MacDowell: Alla Tarantella, Opus 39, No. 2 Cover Image

MacDowell: Alla Tarantella, Opus 39, No. 2: Piano Sheet

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MacDowell: Alla Tarantella, Opus 39, No. 2 Cover Image

MacDowell: Alla Tarantella, Opus 39, No. 2: Piano Sheet

By Edward MacDowell / ed. Lynn Freeman Olson

Level: Late Intermediate

Item: 00-2634

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Description
Written in E-flat major and 6/8 time, this piece keeps the right hand moving with 8th notes in the first and last sections contrasting with the short legato middle section. Left hand chords add rhythm and definition to each measure.

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Additional Details
Series: Alfred Masterwork Edition
Publisher: Alfred Music
Page Count: 8
ISBN10: 0-7390-1646-6
ISBN13: 978-0-7390-1646-6
UPC: 038081026701
SKU: 00-2634

More about this title

About the Composer: Edward MacDowell

Edward MacDowell (1860-1908) stands as one of America's most accomplished composers of the Romantic era. Trained in Europe and deeply influenced by the German Romantic tradition, MacDowell brought sophisticated harmonic language and lyrical sensibility to his compositions while maintaining a distinctly American voice.

MacDowell's legacy rests on his ability to write idiomatically for the piano. His works balance technical display with genuine musical substance, making them enduring fixtures in the recital repertoire. He also served as a teacher and advocate for American classical music during a period when European works dominated concert programming.

Why we love this

This tarantella captures the driving energy of a Neapolitan folk dance while maintaining the refinement you'd expect from a late Romantic masterwork. The contrasting middle section gives students a chance to explore legato and lyrical playing before returning to the propulsive rhythmic character of the outer sections, making it both musically satisfying and pedagogically valuable.

What to expect

Propulsive and spirited, with the irresistible momentum of a southern Italian dance. The relentless 8th-note figuration in the outer sections creates infectious rhythmic drive, while the contrasting legato middle section offers a moment of lyrical breathing before the tarantella returns with renewed energy.

Who it's for

Late intermediate pianists ready to explore Romantic-era character pieces with genuine musical depth. This work suits students preparing for competition or recital who want repertoire beyond standard etude collections and introduces them to an important American composer.

How to get the most out of it

  • Maintain consistent pulse in the 6/8 meter; the dancing character depends on feeling the measure in two rather than counting six individual beats.
  • Shape the left hand chords rhythmically without heaviness. They anchor the texture but should never overshadow the flowing right hand melody.
  • Contrast the articulation sharply between the outer sections and the legato middle. This sectional work gives students practice in voice independence and tonal color.

How to use it

Program this alongside other Romantic character pieces to showcase the breadth of MacDowell's compositional voice. Its moderate length and distinctive character make it ideal as a secondary work in a student recital or as part of a thematic program exploring dance forms across the classical repertoire.

Skills your students will build

  • Maintaining consistent pulse in 6/8 meter
  • Balancing rapid passagework in one hand against rhythmic support in the other
  • Contrasting articulation and tone color between sections
  • Shaping legato phrasing in the middle section
  • Building stamina for extended figuration at moderate tempo

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