Macavity: The Mystery Cat (from Cats) (arr. Mark Brymer): 2-Part Choral Octavo

Brymer captures the theatrical personality of Macavity without overcomplicating the vocal writing. The two-part texture keeps rehearsal time reasonable while maintaining the wit and mischief that make this T.S. Eliot character unforgettable, and it gives singers the chance to inhabit a genuinely theatrical moment without needing a pit orchestra.

Mischievous and theatrical, with a sneaky rhythmic swagger. The piece carries the sophistication and dry humor of Cats while remaining singable and fun, capturing that moment when the orchestra whispers about a cat who's never quite where you expect him to be.

This arrangement works well for middle school through adult choirs seeking an approachable Broadway number with real personality. Singers who want a taste of musical theater repertoire without extensive part-learning will find this manageable and rewarding.

• Nail the character work first. Macavity is cunning and elusive, so coach your singers to convey that personality through diction and phrasing, not just hitting the notes.
• Balance the two parts carefully in the unison and harmony sections so the text remains clear even when voices blend.
• The rhythmic energy of this piece depends on keeping the tempo steady; use a crisp conducting pattern to lock in the ensemble.
• Consider staging that plays with the mystery and mischief of the cat; even simple movement can amplify the theatrical intent without distracting from the singing.

Pair this with other Broadway selections for a theater-themed concert, or use it as a pops opener that engages audiences immediately with its narrative charm. It also fits naturally into programs exploring storytelling through song.

• Theatrical interpretation and character work in choral music
• Balancing two-part harmony while maintaining text clarity
• Rhythmic precision in moderately syncopated material
• Ensemble blend across contrasting sections (unison and harmony)