Lyric Pieces Book 2 Op.38 Cover Image

Lyric Pieces Book 2 Op.38: Piano Solo

$9.95 USD
$9.95 USD
Skip to product information
Lyric Pieces Book 2 Op.38 Cover Image
Lyric Pieces Book 2 Op.38: Piano Solo

Lyric Pieces Book 2 Op.38: Piano Solo

By Edvard Grieg

Item: 98-EP2150
$9.95
Shipped

One moment…

Description
Book 2 (Op. 38) of Grieg's 66 lyric pieces written for solo piano. Containing 8 pieces, including Berceuse, Volksweise, Mélodie, Halling, Springtanz, Elegie, Walzer and Canon.

Lyric Pieces Book 2 Op.38: Piano Solo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-014-00961-7
ISBN13: 979-0-014009-61-8
SKU: 98-EP2150

More about this title

About the Composer: Edvard Grieg

Edvard Grieg (1843, 1907) spent his career establishing Norwegian identity in classical music at a time when his country was seeking cultural independence. He drew deeply from folk melodies, dance rhythms, and the landscapes of his native land, creating a body of work that feels both intimate and distinctly national. His 66 Lyric Pieces, written across decades, became his most accessible and beloved compositions, capturing everything from Norwegian dances to introspective character studies in miniature form.

Why we love this

These eight pieces from Op. 38 showcase Grieg's gift for economy and expressivity in short form. Each stands alone as a complete artistic statement, making them ideal for recitals, competitions, and programming variety without requiring lengthy rehearsal commitment. Students encounter genuine Norwegian folk elements and harmonic color without the technical demands of his larger works.

What to expect

A journey through Norwegian life and emotion in eight glimpses. The collection moves between the intimate (a mother's lullaby in Berceuse) and the exuberant (the spirited Springtanz), with reflective moments and folk-inspired melodies woven throughout. Grieg's harmonic language feels both familiar and distinctly northern.

Who it's for

Intermediate pianists looking for repertoire that combines technical accessibility with artistic depth. Teachers seeking to introduce students to Grieg's distinctive voice and to Norwegian musical nationalism in a manageable, satisfying package.

How to get the most out of it

  • Pay attention to the national character of each piece. Halling and Springtanz ask for rhythmic drive and dance-like articulation; Berceuse and Elegie require sustained lyricism and patience with silence.
  • Grieg's pedal markings are integral to the harmonic palette. Respect them precisely rather than using the sustain pedal as a general blur.
  • Bring out the melody in pieces like Mélodie and Volksweise through refined tone production; these pieces live or die by the singer's line.
  • The shorter, dance-based pieces benefit from rhythmic clarity and light touch. Avoid heaviness that can obscure their folk-dance character.

How to use it

Select individual pieces to program across a student recital season, pairing them with contrasting works from other periods. Alternatively, program several consecutively to showcase Grieg's range within a single sitting and to demonstrate his role in 19th-century nationalism. These pieces also work beautifully in educational recitals that trace Romantic piano literature.

Skills your students will build

  • Pedal technique and control in creating harmonic color
  • Shaping of melody through refined tone production and phrasing
  • Understanding of dance rhythms and folk-inspired articulation patterns
  • Quick transitions between contrasting musical characters
  • Reading Grieg's harmonic language and Romantic-era notation conventions

You May Also Like