Lyric Essay Cover Image

Lyric Essay: Brass Choir Score & Parts

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Lyric Essay Cover Image

Lyric Essay: Brass Choir Score & Parts

By Donald Coakley / arr. David Marlatt

Level: Medium-Difficult

Item: 81-BC2232

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Description
Lyric Essay is written in a neo-romantic style. It is a slow, reflective work with much opportunity for musical expression. This piece (previously written for concert band) has been performed all throughout Canada, the United States and in Japan. It is an ideal lyric composition to be programmed between two louder works on your next concert. It has been scored here for piccolo trumpet, 3 trumpets, flugel horn, 4 horns, 3 trombones, euphonium, 2 tubas and percussion.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-586-0
ISBN13: 978-1-55472-586-1
UPC: 685462000449
SKU: 81-BC2232
Instrumentation: 5.4.3.1.1.perc

More about this title

About the Composer: Donald Coakley

Donald Coakley is a Canadian composer whose work spans wind band, brass ensemble, and orchestral genres. His compositions are known for their lyrical sensibility and accessibility across performance levels, making them frequent choices in festival and concert programming throughout North America and internationally.

Why we love this

Coakley's neo-romantic voice cuts through without sentimentality. The piece gives brass players genuine lyrical work to sink into—sustained phrase shaping, dynamic control, and harmonic coloring that demands musicianship beyond technical facility. Its concert placement flexibility makes it a natural centerpiece in mixed programming.

What to expect

A quiet conversation among brass voices, where each instrument listens as much as it speaks. The neo-romantic language feels deeply personal, drawing the ensemble and audience into sustained reflection without theatrical gesture.

Who it's for

Brass choirs and advanced brass ensembles seeking repertoire that showcases lyricism and ensemble balance. Directors programming concert series need a piece that commands attention without bombast, making this ideal for mixed-format performances where contrast matters.

How to get the most out of it

  • Balance the texture around sustained voices rather than competing for prominence; the euphonium and horns often carry the emotional weight while upper voices provide color and movement.
  • Shape long phrases with attention to harmonic rhythm and subtle dynamic swells that emerge from the arrangement rather than obvious climaxes.
  • Use the recorded accompaniment (if available separately) as a reference for balancing individual parts, particularly in passages with divided sections.
  • Allow breath marks to breathe without rushing into the next phrase; the reflective pace requires genuine space between musical thoughts.

How to use it

Place this between two energetic works to create a meaningful arc across your concert. Its contemplative nature and proven performance history (across North America and Japan) make it a strong candidate for festival programming or chamber brass recitals.

Skills your students will build

  • Sustaining long melodic phrases with consistent tone and phrasing direction
  • Balancing divided sections and finding intonation in sustained chord structures
  • Nuanced dynamic control and expression in slow, lyrical writing
  • Listening for harmonic function and voice leading within a full ensemble texture
  • Pacing and breath management in a reflective tempo without rushed or dragging passages

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