Lunchtime Jam: String Orchestra Conductor Score & Parts
By Ron DeGrandis
Grade: 1
Item: 35-PK00338985
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Lunchtime Jam - Conductor Score (Full Score) | $6.00 | |
| Lunchtime Jam - Violin 1 | $7.00 | |
| Lunchtime Jam - Violin 2 | $7.00 | |
| Lunchtime Jam - Violin 3 (Viola Treble Clef) | $7.00 | |
| Lunchtime Jam - Viola | $7.00 | |
| Lunchtime Jam - Cello | $7.00 | |
| Lunchtime Jam - Bass | $7.00 | |
| Lunchtime Jam - Piano | $7.00 |
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Description
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More about this title
About the Composer: Ron DeGrandis
Ron DeGrandis has built a catalog of accessible, engaging works specifically designed for young string players. His pedagogical approach balances musical substance with genuine fun, making his pieces natural choices for teachers seeking repertoire that students actually want to play.
Why we love this
DeGrandis understands exactly what Grade 1 string students need: straightforward rhythms that don't insult their intelligence, melodies they remember, and scoring that lets everyone feel like they're making real music together. The fact that this exists as part of a thematic trilogy gives you an instant themed concert or unit.
What to expect
A bright, lighthearted piece that captures the energy and humor of the school day without sacrificing musicality. The writing sits comfortably under young players' fingers while maintaining enough character to feel worth rehearsing.
Who it's for
Beginning string orchestras working at Grade 1 level who need repertoire with real melodic appeal and solid construction. Directors building concert programs around elementary school themes or seeking pieces that engage younger audiences without over-simplifying the musical content.
How to get the most out of it
- Keep the lunch-themed character playful but not cartoonish; let the melody sing even at this level rather than leaning too heavily on the novelty of the title.
- Balance the parts so second violins and violas aren't buried; Grade 1 students gain confidence when they can hear their own contribution in the ensemble sound.
- Lock in the rhythmic pulse through the bow stroke and ensemble alignment rather than relying on tempo flexibility; a solid, steady beat serves young orchestras better than rubato.
How to use it
Pair this with the companion pieces from the same series to create a mini suite showcasing your students' growth across a concert or assembly. It works equally well as a standalone opener to warm up an audience or as part of a thematic program celebrating student life.
Skills your students will build
- Playing in unison across multiple parts
- Listening for balance between melody and accompaniment
- Maintaining steady rhythm in simple meters
- Sustaining tone quality across phrase lengths
- Coordinating bowing patterns with ensemble partners