Lullaby for Natalie (arr. Peter Stanley Martin) Sheet Music Preview

Lullaby for Natalie (arr. Peter Stanley Martin): Concert Band Conductor Score & Parts

By John Corigliano / Arranged by Peter Stanley Martin

Grade: 5

Item: 35-PK01214455

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$85.00

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Product Price Quantity
Lullaby for Natalie (arr. Peter Stanley Martin) - Conductor Score (Full Score) $7.50
Lullaby for Natalie (arr. Peter Stanley Martin) - Flute 1 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Flute 2 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Oboe 1 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Oboe 2 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Bb Clarinet 1 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Bb Clarinet 2 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Bb Clarinet 3 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Bb Bass Clarinet $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Bassoon 1 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Bassoon 2 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Eb Alto Saxophone 1 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Eb Alto Saxophone 2 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Bb Tenor Saxophone $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Eb Baritone Saxophone $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Bb Trumpet 1 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Bb Trumpet 2 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - F Horn 1 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - F Horn 2 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - F Horn 3 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - F Horn 4 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Trombone 1 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Trombone 2 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Baritone $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Tuba $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Timpani $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Percussion 1 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Percussion 2 $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Harp $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Piano $6.00
Lullaby for Natalie (arr. Peter Stanley Martin) - Contrabass $6.00

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Description
Originally composed for Anne Akiko Meyers and then orchestrated for Marin Alsop's 20th season at the Cabrillo Festival of Contemporary Music, this lovely lyric work was transcribed for band under the composer's supervision. Accessible to musicians and audiences, yet extremely sensitive with its dramatic sonorities, the music is both soothing and subtle even as the tonality is stretched. Dur: 4:30

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK01214455

More about this title

About the Composer: John Corigliano

John Corigliano stands among America's most celebrated living composers, equally at home writing for the concert hall, opera stage, and film. His work balances accessibility with harmonic sophistication, a quality that has earned him a Pulitzer Prize and multiple Grammy Awards. Corigliano's music often explores lyrical beauty within contemporary contexts, making him a natural fit for audiences encountering new classical works.

Why we love this

Corigliano's sensitivity to orchestration shines in this transcription, where Peter Stanley Martin captures the original's intimate character without loss of nuance. Your ensemble will discover how to shape long melodic lines with restraint, finding dramatic power in understatement rather than volume. The piece proves that contemporary classical writing need not challenge young musicians technically in order to challenge them artistically.

What to expect

The music unfolds like a gentle meditation, its harmonic language slightly ambiguous and modern yet deeply warm. There is something profoundly human about this lullaby, neither saccharine nor austere, holding listeners in a space of quiet vulnerability. The sonorities stretch and shift in ways that feel inevitable once you surrender to the composer's patient, careful unfolding.

Who it's for

This arrangement serves concert bands seeking contemporary repertoire that respects their musicians' developing artistry without demanding virtuosic technical display. Directors building programs around contemplative or introspective themes will find a work that speaks to both young musicians and audiences accustomed to a steady diet of traditional band literature.

How to get the most out of it

  • Balance the sustained harmonic foundation carefully so that it supports rather than overwhelms the primary voice; think of the accompaniment as a cradle rather than a wall.
  • Shape phrase endings with particular care. Corigliano's subtle harmonic shifts often land on cadences that feel unresolved, requiring players to listen deeply and avoid rushing toward closure.
  • Attend to the recorded accompaniment's tempo flexibility. The work breathes throughout, and allowing slight rubato in the melodic line will enhance the lullaby character.
  • Reserve your full ensemble sound for the dramatic sonority passages. The contrast between restrained passages and richer scoring makes the climactic moments far more impactful.

How to use it

Consider placing this as the reflective centerpiece of a concert that pairs accessible classical works with contemporary offerings, allowing audiences to hear how modern composers inherit and reinvent the lullaby tradition. The four-and-a-half-minute duration makes it ideal for a program that alternates between larger ensemble works, creating pacing that respects attention spans. This is also an excellent teaching tool for a concert devoted entirely to contemporary classical writing aimed at families or younger listeners.

Skills your students will build

  • Sustaining lyrical phrases with minimal vibrato and absolute tonal consistency
  • Responding to subtle harmonic shifts and unresolved cadences
  • Balancing accompaniment textures to support rather than dominate
  • Interpreting contemporary classical notation with historical awareness of the lullaby form
  • Cultivating ensemble listening at soft dynamic levels

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