Lucia di Lammermoor Cover Image

Lucia di Lammermoor: Serious Opera Conductor Score

$350.00 USD
$350.00 USD
Skip to product information
Lucia di Lammermoor Cover Image
Lucia di Lammermoor: Serious Opera Conductor Score

Lucia di Lammermoor: Serious Opera Conductor Score

By Gaetano Donizetti, Italian Libretto by Salvatore Cammarano, after Walter Scott

Item: 36-A229401
$350.00
Shipped

One moment…

Related Items

Lucia di Lammermoor: Serious Opera Conductor Score and Parts

$1,200.00
View

Lucia di Lammermoor: Banda Set

$42.50
View

Lucia di Lammermoor: Serious Opera, Keyboard Accompaniment, Vocal Score

$32.95
View
Description
Lucia di Lammermoor is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel, The Bride of Lammermoor. Donizetti wrote Lucia di Lammermoor in 1835, shortly after Gioachino Rossini had retired and Vincenzo Bellini had died, leaving him the only Italian opera composer of genius still working. That, coupled with the interest in the culture and history of Scotland that is the focus of the story, led to the steady success that the work received. It premiered on September 26th, 1835 at the Teatro di San Carlo in Naples. This edition includes some newly engraved banda parts to create a consistent and easy-to-manage set of materials for performance. Instrumentation: 2+Picc(dFl).2.2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (4-4-3-3-3 in set): Banda: Vocal soli (7 roles SATTTBB): Chorus.

Lucia di Lammermoor: Serious Opera Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Kalmus Opera Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-58-106867-0
ISBN13: 978-1-58-106867-2
UPC: 654690655356
SKU: 36-A229401
Instrumentation: 2+Picc(dFl).2.2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (4-4-3-3-3 in set): Banda: Vocal soli (7 roles SATTTBB): Chorus

More about this title

About the Composer: Gaetano Donizetti

Gaetano Donizetti (1797-1848) composed over 70 operas during a career that spanned nearly three decades, establishing himself as one of the most prolific and successful opera composers of the 19th century. After Rossini's retirement and Bellini's death in 1835, Donizetti became the dominant figure in Italian opera, blending the melodic richness of bel canto with dramatically effective orchestration and increasingly sophisticated ensemble writing.

Donizetti's gift lay in his ability to craft memorable vocal lines that served both the singers and the story. His operas remain central to the repertoire because they balance technical vocal demands with genuine dramatic momentum, offering orchestras the chance to work with substantial instrumental writing while supporting singers through some of the most rewarding roles in opera.

Why we love this

This score gives conductors a complete, manageable edition of one of opera's most performed tragedies, with newly engraved banda parts that eliminate the material inconsistencies that plague older editions. The instrumentation is substantial but not unwieldy, and Donizetti's orchestral writing provides dramatic color without overwhelming the vocal line.

What to expect

Lucia di Lammermoor moves with tragic inevitability. The orchestra alternates between propulsive forward motion in ensembles and intimate support for the soprano's soaring lines, particularly in the famous mad scene. Donizetti's orchestration feels both Romantic and rooted in bel canto tradition, lyrical yet dramatically urgent.

Who it's for

Conductors preparing productions at universities, regional opera companies, and professional theaters who need a reliable, clearly engraved score for rehearsal and performance. This edition serves orchestras of sufficient size and experience to manage the full instrumentation and coordinate with soloists and chorus.

How to get the most out of it

  • Balance the woodwind writing in the overture carefully; Donizetti layers oboe and clarinet lines that need clarity even when the strings are active.
  • Shape the recitative with the singers to maintain dramatic momentum between arias; this score rewards collaborative rehearsal between conductor and soloists.
  • Mark the banda cues clearly in your materials so section leaders know when the stage band enters; consistent communication prevents the ensemble from rushing or dragging at these crucial transitions.
  • Use the timpani strategically in ensemble moments; Donizetti doesn't overuse percussion, so when it enters, it carries real dramatic weight.

How to use it

Program this as a full production when you have the vocal resources (seven soloists and a trained chorus) and sufficient orchestra depth. Alternatively, concert performances of selected acts or scenes work well for educational contexts when full staging is unavailable; many universities mount excerpts (the mad scene and finale especially) as a bridge between single-opera scenes and full production work.

Skills your students will build

  • Reading and conducting complex vocal and instrumental cues simultaneously
  • Coordinating stage band (banda) with pit orchestra
  • Balancing bel canto orchestration that supports rather than overpowers singers
  • Conducting dramatic recitative with flexibility and forward motion
  • Managing large ensemble forces across multiple instrumental and vocal sections

You May Also Like